ICONOGRAFÍA DE LA TAPA DEL SARCÓFAGO DE AMENIRDIS (INV. -28104-). MIRADA Y AGENCIA COMO HERRAMIENTAS DE ANÁLISIS

Autores

  • Mariano Bonanno Doctor en Historia, Universidad Nacional de La Plata. Estancia Posdoctoral en Ciencias Humanas y Sociales en la Facultad de Filosofía y Letras-Universidad de Buenos Aires. Título del Proyecto: “El sarcófago como espacio de transfguración funeraria”. Análisis del sarcófago de Amenirdis del Museo Etnográfco de Buenos Aires vinculado al Proyecto UBACyT 20020120100344BA (Programación 2013-2016), titulado “Huellas en el paisaje. Constructos histórico-culturales, del Éufrates al Nilo”, dirigido por la Dra. M. Violeta Pereyra, radicado en el Instituto de Historia Antigua Oriental “Abraham Rosenvasser”. Co-Director del Iconographic Program of Neferhotep Chapel (TT 49) Universidad de Buenos Aires-Gerda Henkel Stitung.

DOI:

https://doi.org/10.22409/rh.v4i2.27868

Palavras-chave:

Sarcófago, Iconografía, Regeneração, Agência, Mirada

Resumo

O sarcófago discutido neste artigo é uma das peças mais conhecidas da coleção do Museu Etnográfco de Buenos Aires. O nome do seu dono é o nb.t pr Amenirdis. Embora não seja excepcional em sua decoração ou fatura, apresenta algumas questões interessantes relacionadas ao contexto social e material, bem como as apropriações de diversos motivos reais de transfguração, textual e iconográfca, pelos indivíduos. Além disso, o sarcófago como expressão material da mobilidade socioeconômica de certos estratos da sociedade é analisado. Para isso, a introdução das categorias de Mirada e Agência como meios e marcadores de status e poder será aplicada ao estudo do objeto.

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Publicado

2018-12-24