Swale

Autores/as

  • Mary Mattingly Artista independente

DOI:

https://doi.org/10.22409/arte.lugar.cidade.v1i1.62033

Resumen

Swale was a floating edible landscape built atop a 5,000 square-foot barge that traveled to public piers in New York City welcoming visitors to harvest perennial fruits and vegetables free of charge. Swale docked at public piers in Brooklyn, Governors Island, and the Bronx in spaces adjacent to the city’s public land. Public land in the city equates to 30,000 acres, as compared with the 100 acres of community garden space where, if you have a plot, picking food is allowed. Swale re-valued public land by using the ‘common law’ of the water as a loophole to do what had been illegal on public land: legally, picking plants was considered destruction of property. Swale followed the insights of social scientist Elinor Ostrom and traditional ecological knowledge that claim that in a vibrant commons, people had a vital role to play not only as beneficiaries, but also as co-creators, protectors, and decision makers.
Swale was also experiential: people walked onto a barge adjacent to a city park to find that it looked, smelled, and tasted like land but felt different. As they grew accustomed to the moving vessel and their forested surroundings, their perspective shifted and soon it could feel like the city was moving back and forth, as the structure they were on began to feel stable. People suddenly cared about everything: where the soil came from, where the water came from that watered the plants, and how this translated to the food they were eating at home. An edible forest built on an industrial barge questions land use in the city, food systems, infrastructure, public health priorities, and whether the establishment of a commons is still possible. It can also model alternatives, request involvement, and put trust in city dwellers as agents who care for shared resources. As a direct result of Swale and the support of community groups, in 2017 the New York City Parks Department opened their first land-based pilot – a public “foodway” at Concrete Plant Park in the Bronx.

Biografía del autor/a

Mary Mattingly, Artista independente

Mary Mattingly is an interdisciplinary artist who is driven to explore imagined socio-ecological futures through co-creation. Based in New York City, her work involves building sculptural ecosystems that prioritize access to food, shelter, and clean water, resulting in large-scale participatory projects around the world. These projects rely on absurdity and chance encounters to provide discordant perspectives and shift perceptions. 
Mattingly's sculptures foster coalition-building and help to strengthen common spaces. In 2016, her leadership of Swale, a floating sculpture and edible landscape on a public barge in New York, inspired the New York City Parks Department to establish the city's first public "foodway." The foodway is a public space where people can legally forage in a city where it is otherwise publicly prohibited.
Mattingly's work frequently activates public spaces and has also been exhibited at institutions such as Storm King Art Center, the International Center of Photography, Seoul Art Center, the Brooklyn Museum, Palais de Tokyo, Barbican Art Gallery, and Museo Nacional de Bellas Artes in Havana. Notable grants include those by the James L. Knight Foundation, the Harpo Foundation, New York Foundation for the Arts, the Jerome Foundation, and the Art Matters Foundation. Mattingly is a 2023 recipient of a Guggenheim Fellowship.

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Publicado

2024-05-02

Cómo citar

MATTINGLY, M. Swale. arte :lugar :cidade, v. 1, n. 1, p. 112-127, 2 may 2024.