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MOURA, Lisandro Lucas de Lima. Tambor sem fronteiras: ressonâncias
da presença do candombe afro-
uruguaio no sul do Brasil
Revista Latino-
Americana de Estudos em Cultura,
22, p. 163-190, mar. 2022.
Tambor sem fronteiras: ressonâncias da presença do candombe afro
DOI:
https://doi.org/10.22409/pragmatizes.v12i22.51358
Resumo
: O artigo narra a trajetória de criação de um coletivo musical de candombe afro
sul do Brasil, na região da campanha, fronteira com o Uruguai. A iniciativa está vinculada ao projeto
Tambor Sem Fronteiras
, coordenado por brasileiros integrantes
Fronteiras,da cidade de Bagé (RS), dentre os quais se inclui o autor do presente texto. Trata
uma ação transfronteiriça de integração e intercâmbio entre grupos culturais do Brasil e Uruguai,
objetivando a difusão da pr
ática musical do candombe no lado brasileiro da fronteira. As ações
sociais, artísticas e culturais do coletivo de tamborileiros e tamborileiras confluíram para a formação
de um corredor cultural de faixa de fronteira (ou uma rota dos tambores) fundamentad
aprendizado rítmico e na convivência com
apresenta, pois, uma discussão a respeito dos efeitos,
dos tambores piano, chico e
pelos tambores, os agentes culturais fronteiriços costuram histórias comuns entre as culturas afro
brasileiras e afro-
uruguaias, muitas vezes percebidas como independentes e separadas por limites
nacionais, bem c
omo propõem outras formas de ocupação do espaço público da rua, ancoradas na
presença ressonante e
Palavras-chave
Tambor sin fronteras: resonancias
Brasil.
Resumen:
El artículo narra la trayectoria de creación de un colectivo musical de candombe afro
uruguayo en el sur de Brasil, en la región de la campaña, frontera con Uruguay. La iniciativa es
vinculada al proyecto
Cultura Pampa Sem Fronteras, de la ciudad de Bagé
presente texto. Se trata de una acción transfronteriza de integración e intercambio entre grupos
culturales de Brasil y Uruguay, objetivando la difusión de la práctica musical del candombe en el lado
brasileñ
o de la frontera. Las acciones sociales, artísticas y culturales del colectivo de tamborileros y
tamborileras confluyeron para la formación de un corredor cultural de franja de frontera (o una ruta de
los tambores) fundamentado en el aprendizaje rítmico y
candombe del interior del Uruguay. El texto presenta, pues, una discusión acerca de los efectos,
afectos y controversias generadas por el tránsito de los tambores
las fronteras geográfic
as. Al seguir la ruta trazada por los tambores, los agentes culturales fronterizos
cosen historias comunes entre las culturas afrobrasileñas y afrouruguayas, muchas veces percibidas
1
Lisandro Lucas de Lima Moura. Doutor em Antropologia pela Universidade Federal de Pelotas
(UFPel), Professor do Instituto Federal Sul
lisandromoura@gmail.com
Recebido em 28/08/2021,
aceito para publicação em
MOURA, Lisandro Lucas de Lima. Tambor sem fronteiras: ressonâncias
uruguaio no sul do Brasil
. PragMATIZES -
Americana de Estudos em Cultura,
Niterói/RJ, Ano 12, n. www.
periodicos.uff.br/pragmatizes
(Dossiê "Coletivos culturais –
resistências, disputas e potências
Tambor sem fronteiras: ressonâncias da presença do candombe afro
no sul do Brasil.
https://doi.org/10.22409/pragmatizes.v12i22.51358
Lisandro Lucas de Lima Moura
: O artigo narra a trajetória de criação de um coletivo musical de candombe afro
sul do Brasil, na região da campanha, fronteira com o Uruguai. A iniciativa está vinculada ao projeto
, coordenado por brasileiros integrantes
do Ponto de Cultura Pampa Sem
Fronteiras,da cidade de Bagé (RS), dentre os quais se inclui o autor do presente texto. Trata
uma ação transfronteiriça de integração e intercâmbio entre grupos culturais do Brasil e Uruguai,
ática musical do candombe no lado brasileiro da fronteira. As ações
sociais, artísticas e culturais do coletivo de tamborileiros e tamborileiras confluíram para a formação
de um corredor cultural de faixa de fronteira (ou uma rota dos tambores) fundamentad
aprendizado rítmico e na convivência com
comparsas
de candombe do interior do Uruguai. O texto
apresenta, pois, uma discussão a respeito dos efeitos,
afectos
e controvérsias geradas pelo trânsito
para além das frontei
ras geográficas. Ao seguirem a rota traçada
pelos tambores, os agentes culturais fronteiriços costuram histórias comuns entre as culturas afro
uruguaias, muitas vezes percebidas como independentes e separadas por limites
omo propõem outras formas de ocupação do espaço público da rua, ancoradas na
dos tambores de candombe.
-
uruguaio; tambores; fronteira; coletivos culturais.
Tambor sin fronteras: resonancias
de la presencia del candombe afro-
El artículo narra la trayectoria de creación de un colectivo musical de candombe afro
uruguayo en el sur de Brasil, en la región de la campaña, frontera con Uruguay. La iniciativa es
, coordinado por brasileños integrantes del Punto de
Cultura Pampa Sem Fronteras, de la ciudad de Bagé
(RS), entre los cuales se incluye al autor del
presente texto. Se trata de una acción transfronteriza de integración e intercambio entre grupos
culturales de Brasil y Uruguay, objetivando la difusión de la práctica musical del candombe en el lado
o de la frontera. Las acciones sociales, artísticas y culturales del colectivo de tamborileros y
tamborileras confluyeron para la formación de un corredor cultural de franja de frontera (o una ruta de
los tambores) fundamentado en el aprendizaje rítmico y
candombe del interior del Uruguay. El texto presenta, pues, una discusión acerca de los efectos,
afectos y controversias generadas por el tránsito de los tambores
piano, chico
as. Al seguir la ruta trazada por los tambores, los agentes culturales fronterizos
cosen historias comunes entre las culturas afrobrasileñas y afrouruguayas, muchas veces percibidas
Lisandro Lucas de Lima Moura. Doutor em Antropologia pela Universidade Federal de Pelotas
(UFPel), Professor do Instituto Federal Sul
-rio-gra
ndense (IFSul Campus Bagé), Brasil. E
-0001-6554-6184 .
aceito para publicação em
25/01/20
22 e disponibilizado online em
01/03/2022.
163
periodicos.uff.br/pragmatizes
- ISSN 2237-1508
resistências, disputas e potências
")
Tambor sem fronteiras: ressonâncias da presença do candombe afro
-uruguaio
Lisandro Lucas de Lima Moura
1
: O artigo narra a trajetória de criação de um coletivo musical de candombe afro
-uruguaio no
sul do Brasil, na região da campanha, fronteira com o Uruguai. A iniciativa está vinculada ao projeto
do Ponto de Cultura Pampa Sem
Fronteiras,da cidade de Bagé (RS), dentre os quais se inclui o autor do presente texto. Trata
-se de
uma ação transfronteiriça de integração e intercâmbio entre grupos culturais do Brasil e Uruguai,
ática musical do candombe no lado brasileiro da fronteira. As ações
sociais, artísticas e culturais do coletivo de tamborileiros e tamborileiras confluíram para a formação
de um corredor cultural de faixa de fronteira (ou uma rota dos tambores) fundamentad
o no
de candombe do interior do Uruguai. O texto
e controvérsias geradas pelo trânsito
ras geográficas. Ao seguirem a rota traçada
pelos tambores, os agentes culturais fronteiriços costuram histórias comuns entre as culturas afro
-
uruguaias, muitas vezes percebidas como independentes e separadas por limites
omo propõem outras formas de ocupação do espaço público da rua, ancoradas na
uruguaio; tambores; fronteira; coletivos culturais.
El artículo narra la trayectoria de creación de un colectivo musical de candombe afro
-
uruguayo en el sur de Brasil, en la región de la campaña, frontera con Uruguay. La iniciativa es
tá
, coordinado por brasileños integrantes del Punto de
(RS), entre los cuales se incluye al autor del
presente texto. Se trata de una acción transfronteriza de integración e intercambio entre grupos
culturales de Brasil y Uruguay, objetivando la difusión de la práctica musical del candombe en el lado
o de la frontera. Las acciones sociales, artísticas y culturales del colectivo de tamborileros y
tamborileras confluyeron para la formación de un corredor cultural de franja de frontera (o una ruta de
comparsas de
candombe del interior del Uruguay. El texto presenta, pues, una discusión acerca de los efectos,
repique más allá de
as. Al seguir la ruta trazada por los tambores, los agentes culturales fronterizos
cosen historias comunes entre las culturas afrobrasileñas y afrouruguayas, muchas veces percibidas
Lisandro Lucas de Lima Moura. Doutor em Antropologia pela Universidade Federal de Pelotas
ndense (IFSul Campus Bagé), Brasil. E
-mail:
22 e disponibilizado online em