THE AFROTEATRO AS AN EXPRESSION OF AQUATIC CULTURAL LANDSCAPES IN THE COLOMBIAN PACIFIC.

Authors

DOI:

https://doi.org/10.22409/GEOgraphia2024.v26i56.a58798

Keywords:

Afro-theater, pacific, afrodescendent, Geography, ACL

Abstract

Abstract: This article aims to explore a theatrical Geography or theatrical Geograficity of the Afro-descendant communities of the Colombian Pacific, based on the stagings of the religious festival of 'San Pacho' in Quibdó, the artistic festival of the 'Carnival of Fire' in Tumaco and the Afro-theater of the Calipso Corporation of Tumaco. The analysis of the stagings is based on Jorge Dubatti's approaches to theater, his concepts of conviviality, theatrical cartography, and theatrical thought, among others, as well as the concepts of Aquatic Cultural Landscape (ALC) and Geograficity, which were key elements for the study of the scenic particularities present in these festivities.

Downloads

Download data is not yet available.

References

AYALA, Ana. (2014). La fiesta de San Pacho: un patrimonio vivo con vigencia de salvaguardia. Quibdó-Chocó: editorial mundo libro.

BELTRÁN. Jesica. (2022). Paisajes culturales acuáticos del pacifico colombiano: Memoria, patrimonio y memoria de las comunidades afrodescendientes. Tesis (doctorado en Geografia), Universidad Federal de Ceará, programa de posgrado en Geografia, Fortaleza.

BAJHTIN, Mijail. (2003). La cultura popular en la edad media y en el renacimiento. Versión de Julio Forcat y César Conroy. Universidad de Buenos Aries: Alianza Editorial.

DARDEL. E. (2015). O homem e a terra, natureza da realidade geográfica. São Paulo: Ed. Perspectiva.

DUBATTI, Jorge. (2007). Filosofía del teatro I: convivo, experiencia, subjetividad. 1ra. Ed. Buenos Aires: Atuel.

______. (2010). Filosofía del teatro II: cuerpo poético y función ontológica. 1ra. Ed. Buenos Aires: Atuel.

______. (2014). Filosofía del teatro III: el teatro de los muertos. 1ra. Ed. Buenos Aires: Atuel, 2014.

______. (2014). El teatro de los muertos: teatro perdido, duelo, memoria en la practicas y la teoría del teatro argentino. Revista cena, UFGRS, n.15, p. 1-19.

FERREIRA, Luiz. (2003). O lugar festivo: a festa como essência espaço-temporal do lugar. Revista: Espaço e cultura, Rio de Janeiro, n.15, p. 1-31, enero-junio.

GENOVEZ, P. F; SOUZA, G. M. de. (2019). Aproximações entre Gaia e Dionísio: os estudos territoriais numa abordagem interdisciplinar. In: Revista Geografia em Atos (GeoAtos online), v. 04, n. 11, p. 100-124, maio/julho, 2019.

OSLENDER, U. (2008). Comunidades negras y espacio en el Pacifico Colombiano: hacia un giro geográfico en el estudio de los movimientos sociales. Bogotá: Instituto Colombiano de Antropología e Historia ICANH.

OLIVEIRA, Christian. (2012). Caminhos da festa ao patrimônio geoeducacional: como educar sem encenar geografia? Fortaleza: EDUFC, 2012.

VILLA, William. (2015). San Pacho en Quibdó, fiesta y religiosidad. Quibdó: Alto vuelo comunicaciones.

Radio Nacional de Colombia. Disponible en: https://www.radionacional.co/noticia/cultura/riqueza-afro-prende-carnaval-del-fuego-tumaco-narino. Acceso en: 13/05/2019.

PEREIRA, Edison. (2014). O Teatro da Religião: a Semana Santa em Ouro Preto vista através de seus personagens. 2014. Tesis (Doctorado en antropologia). Universidad Federal de Rio de Janeiro; Museo Nacional. Rio de Janeiro.

POLLAK, M. (1989). Memoria, esquecimento, silencio. Estudos históricos, Rio de Janeiro, vol. 2, n.3, p. 3-15.

COLOMBIA. LEY 70 de 1993, agosto 27. Colombia Diario Oficial No. 41.013, de 31 de agosto de 1993. Por la cual se desarrolla el artículo transitorio 55 de la Constitución Política. Disponible en: https://www.acnur.org/fileadmin/Documentos/BDL/2006/4404.pdf. Acceso en: 10 de abril de 2019.

Downloads

Published

2024-02-21

Issue

Vol. 26 No. 56 (2024): jan./jun.

Section

Artigos

License

Creative Commons License

This work is licensed under a Creative Commons Attribution 4.0 International License.

DECLARATION OF ORIGINALITY AND TRANSFER OF COPYRIGHT

I declare that this article is original, having not been submitted for publication in any other national or international journal, either in part or in its entirety. I further declare that, once published in the journal GEOgraphia, edited by the Graduate Program in Geography of the Universidade Federal Fluminense, it shall never be submitted by me or by any of the other co-authors to any other journal. I also declare that I am aware that failure to observe this commitment will subject the offender to the sanctions and penalties set forth in the Copyright Protection Law (No. 9609, of 02/19/1998).

The author grants and transfers, fully and free of charge, to the Graduate Program in Geography of the Universidade Federal Fluminense, on a permanent, irrevocable, and non-exclusive basis, all non-commercial patrimonial copyright relating to scientific articles published in the journal GEOgraphia. Signed texts are the sole responsibility of their authors and do not necessarily represent the opinion of the editors or members of the journal's Editorial Board.

Published works are simultaneously licensed under a Creative Commons Attribution 4.0 International License.

How to Cite

THE AFROTEATRO AS AN EXPRESSION OF AQUATIC CULTURAL LANDSCAPES IN THE COLOMBIAN PACIFIC. GEOgraphia, Niterói, v. 26, n. 56, 2024. DOI: 10.22409/GEOgraphia2024.v26i56.a58798. Disponível em: https://periodicos.uff.br/geographia/article/view/58798. Acesso em: 22 aug. 2026.