Thomas Middleton's dramatic social spaces

Regis Augustus Bars Closel

doi:10.22409/gragoata.v29i63.59034.en

Autores

Regis Augustus Bars Closel Universidade Federal de Santa Maria https://orcid.org/0000-0002-9342-5109

DOI:

https://doi.org/10.22409/gragoata.v29i63.59034.en

Palavras-chave:

Thomas Middleton, Comédias sobre a cidade, Drama Jacobino, Estudos Espaciais

Resumo

Este artigo procura demonstrar que as peças sobre a cidade de Thomas Middleton oferecem uma distinta percepção sobre as dinâmicas que envolvem a terra. Terra e o espaço social que ela gera é um catalisador que impulsiona tanto a ação como as “forças estereotipadas” da cidade, revelando-se como um impulso que precede o cortejo e trocas de fortunas. Portanto, a terra funciona simultaneamente como um item passivo e como um centro ativo para interesses competitivos e conflituosos. A partir dos textos de The Phoenix (1603-4) e No Wit/Help Like a Woman’s (1611) e com o apoio teórico do conceito de espaço de Henri Lefebvre (1991), exploro o relacionamento entre personagens femininos e a economia do espaço social.

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