NEITHER NATIONAL, NOR REALLY ARTISTIC, BUT BY NO MEANS NEGLIGIBLE: THE POPULAR MUSIC TO MARIO DE ANDRADE’S EARS

Authors

  • André Domingues dos Santos Universidade Federal do Sul da Bahia

DOI:

https://doi.org/10.22409/gragoata.v20i39.33361

Keywords:

Modernism, Nacionalism, Popular Music, Mário de Andrade

Abstract

It remains a very negative view on critics about the relationship of the modernists, especially Mário de Andrade, with the Popular Music. This study aims to review the matter in the light of Mario’s writings, exploring both internal dialogues of modernism, critical production and artistic practice (in this case, commenting an obscure partnership between Andrade and the pianist Marcelo Tupinambá, "Canção marinha"). Far less than a mechanical refusal, the author creates a complex elective operation of elements for exaltation or rejection in the works of artists of Popular Music.

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Author Biography

André Domingues dos Santos, Universidade Federal do Sul da Bahia

Professor adjunto no Campo das artes: saberes e práticas da UFSB - Campus Paulo Freire. Mestre e Doutor em História SOcial pela USP e graduado em Filosofia pela UNICAMP.

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Published

2015-12-29

How to Cite

Santos, A. D. dos. (2015). NEITHER NATIONAL, NOR REALLY ARTISTIC, BUT BY NO MEANS NEGLIGIBLE: THE POPULAR MUSIC TO MARIO DE ANDRADE’S EARS. Gragoatá, 20(39). https://doi.org/10.22409/gragoata.v20i39.33361

Issue

Vol. 20 No. 39 (2015): Literature Studies

Section

Literature Articles

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