Mário de Andrade’s dance with shoulders: <i>surupango</i> of revenge
DOI:
https://doi.org/10.22409/gragoata.v21i41.33424Keywords:
Mário de Andrade, poetry, “Danças”, “Reconhecimento de Nêmesis”, Modernism.Abstract
This article analyzes "Danças" by Mário de Andrade, and the reflection the poet on the aesthetic and ethical dimensions of his verses, especially in letters addressed to friends, the first to read and discuss the poem. The change his mind about his own poem is examined in association with the doubts and conflicts experimented by poets and artists in the passage from the years 1920 to 1930.Downloads
Downloads
Published
How to Cite
Issue
Section
License
Authors who publish in Gragoatá agree to the following terms:
The authors retain the rights and give the journal the right to the first publication, simultaneously subject to a Creative Commons license CC-BY-NC 4.0, which allows sharing by third parties with due mention to the author and the first publication by Gragoatá.
Authors may enter into additional and separate contractual arrangements for the non-exclusive distribution of the published version of the work (for example, posting it in an institutional repository or publishing it in a book), with recognition of its initial publication in Gragoatá.
Gragoatá is licensed under a Creative Commons - Attribution-NonCommercial 4.0 International.