Apocalypses and Catastrophes: The Place of Dystopia in Contemporary Narratives of Angolan Literature and Cinema
DOI:
https://doi.org/10.22409/gragoata.v26i55.47011Keywords:
Angola. Literatura. Cinema. Distopia. Resistência.Abstract
The article aims to reflect on temporalities and dystopic times present in contemporary narratives of Angola, in both literature and cinema. Based on the novels O desejo de Kianda (1995) and O quase fim do mundo (2008), by Pepetela, and in the film Ar condicionado (2020), by the filmmaker Fradique (Mário Bastos) and the producer Jorge Cohen, it is intended to carry out a survey of allegorical representations, investigating and discussing their respective meanings and the place of criticism and resistance in narratives considered dystopian.
Downloads
Downloads
Published
How to Cite
Issue
Section
License
Authors who publish in Gragoatá agree to the following terms:
The authors retain the rights and give the journal the right to the first publication, simultaneously subject to a Creative Commons license CC-BY-NC 4.0, which allows sharing by third parties with due mention to the author and the first publication by Gragoatá.
Authors may enter into additional and separate contractual arrangements for the non-exclusive distribution of the published version of the work (for example, posting it in an institutional repository or publishing it in a book), with recognition of its initial publication in Gragoatá.
Gragoatá is licensed under a Creative Commons - Attribution-NonCommercial 4.0 International.
