Entre cantos e fins do mundo: Minimalismo, Posminimalismo y Conceptualismo / 60’ 70’
DOI:
https://doi.org/10.22409/poiesis.v20i34.40111Keywords:
exposição de arte, curadoria, história da arteAbstract
Resenha da mostra Minimalismo, Posminimalismo y Conceptualismo / 60’ 70’, em exposição na Fundación Proa, Buenos Aires, de 6 de julho a 14 de outubro de 2019.Curadoria de Katharine J. Wright, com obras de Dan Flavin, Dan Graham, Sol LeWitt, Bruce Nauman e Fred Sandback.
Downloads
References
Notas
WRIGHT, Katharine J. Razonamiento espacial: la revolución artística norteamerica de las décadas de 1960 y 1970 (tradução de Jaime Arrambide. In FUNDACIÓN PROA, Press Kit, 2019. (s/p)
LIPPARD, Lucy R. Six Years: The Dematerialization of the Art Object from 1966 to 1972. Berkeley e Los Angeles: University of California Press, 1997 [1973].
My Last Name Exaggerated Fourteen Times Vertically (1967) foi exibida em 1968 na primeira exposição individual de Bruce Nauman da Galeria Leo Castelli (Nova York) e na Documenta 4 (Kassel).
Downloads
How to Cite
Issue
Section
License
Authors who publish in Revista Poiésis agree to the following terms:
- The authors keep the copyright and grant the journal the right of first publication. The work is automatically licensed under the Creative Commons Attribution License, which enables its sharing as long as the authorship and initial publication in this journal are acknowledged.
- Authors are allowed and encouraged to distribute online their work published in Revista Poiésis (in institutional repositories or in their own personal page), since this can generate productive interactions, as well as increase the impact and citation of the published work (See The Effect of Free Access).