The Ruins of Time: Memory and Uprisings

Authors

DOI:

https://doi.org/10.22409/poiesis.v22i37.45633

Keywords:

monument, memory, uprisings, micropolitics, representation

Abstract

Our century is marked by countless crises and upheavals. One of the hallmarks of the uprisings is the urgency for new signs and symbols that are capable of representing new narratives, marked by difference and by the critical stance towards the instituted. In this area, public space is the privileged stage for such a dispute. The overthrow of the statues rekindled the debate about collective memory. What is at stake in the construction and demolition of monuments? Do the symbols represented there still make sense? The artistic proposals of Rosangela Rennó and the collective 3Nós3 touch on this issue and guide us in the search for making explicit its implications in the fields of art and politics. It is on the perspective of affections and micropolitical analysis that the relationship with contemporary symbols and narratives is being built.

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Author Biography

Nathalia Lambert Rocha, Universidade Federal Fluminense, Brasil

Nathalia Lambert é pesquisadora e mestre em Estudos Contemporâneos das Artes pela Universidade Federal Fluminense.

References

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ENCICLOPÉDIA ITAÚ CULTURAL de Arte e Cultura Brasileiras. Rosângela Rennó (verbete). São Paulo: Itaú Cultural, 2020. Disponível em http://enciclopedia.itaucultural .org.br/pessoa10376/rosangela-renno. Acesso em 19/8/2020.

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Published

2021-01-01

How to Cite

Rocha, N. L. (2021). The Ruins of Time: Memory and Uprisings. REVISTA POIÉSIS, 22(37), 353-372. https://doi.org/10.22409/poiesis.v22i37.45633

Issue

Vol. 22 No. 37 (2021): Amazônidas: art, politics and resistance in the North of Brazil

Section

ARTICLES

License

Copyright (c) 2020 Nathalia Lambert Rocha

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