Post-colonial implications in the work of José Craveirinha: a people between the cross and the sword
DOI:
https://doi.org/10.22409/abriluff.v7i14.29857Keywords:
José Craveirinha, Postcolonialism, Poetry.Abstract
José Craveirinnha is especially regarded in his homeland, Mozambique, his greatest literary exponent, such as Camões in Portugal, by the virtue of had defended their language and have fought against the submission of their Nation. His poetry is marked by resistance and unfading lyricism, not only reduced to protest. The universality of his verse reaches his brothers, people undergoing cultural imposition and a process of acculturation, impossible to be completely performed. In the present article is related his poetic verve with postcolonial studies, trying to show the colonization’s absurdities and the attempt to overcome this reality, still present in our thinking, to be decolonized. It’s reflected here in poems like "África", "Grito negro", "Poema do futuro cidadão", among others, transpiring the brightness and the genius of its author.Downloads
Downloads
Published
How to Cite
Issue
Section
License
I authorize the journal Abril - NEPA/UFF to publish the paper of my authorship/responsibility that I now submit, in case it is accepted for online publication.
Moreover, I declare that this contribution is original, that it was not submitted to any other editor for publication, and I sign the present declaration attesting the truth of all its contents.
The copyright of the works published at the virtual space of the journal Abril - NEPA/UFF are automatically entitled to the journal. Their total or partial reproduction is conditioned to the authors' citations and publication data.
Abril is licensed under a Creative Commons - Attribution-NonCommercial 4.0 International (CC BY-NC 4.0).