LUGAR DE FALA E QUARTO DE DESPEJO: DIÁRIO DE UMA FAVELADA, DE CAROLINA MARIA DE JESUS

Abstract

This article aims to analyze the importance and reverberation of reports such as that of Carolina Maria de Jesus (2014), in her debut work, Quarto de despejo: diary of a favelada, from the concept of place of speech, which it explains the divergences in the experiences of social groups, due to their origin. For this, the work of Djamila Ribeiro: O que é Lugar de Fala (2017) will be used as a theoretical parameter. With this, it is expected to give rise to a reflection on the trajectory and reception of the literary product, considering the prejudice faced due to the social locus occupied by it.