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DOI:
https://doi.org/10.22409/arte.lugar.cidade.v2i2.69669Keywords:
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This essay was produced from an immersion in the physical space that is primordial to Ascânio, the artist's studio. In addition, the immersion also extends to the rich archive and collection preserved since his beginning in the visual arts scene, with the Composições series in 1966. Such a level of organisation and appreciation for his own work is what makes works like this possible, which aim not only to trace a memorial path of his work through gesture (hand) and post-object drawing, but also to establish the importance of the physical references safeguarded by the artist-creator himself. (text by Sergio Xavier)
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Copyright (c) 2025 Ascânio MMM, Sergio Xavier

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