Primavera Latina: corpo e performance de mulheres latinas nos protestos de 2019
DOI:
https://doi.org/10.22409/contracampo.v42i1.52841Keywords:
Protestos, América Latina, Repertório como performance, Análise visualAbstract
This article aims to understand how female bodies that appear in journalistic images of " Latin American Spring" protests can be understood as repertoires of political action. From the articulation between the notion of repertoire as performance (TILLY, 2008) and the performative theory of assembly (BUTLER, 2016), a visual analysis of photographs of reports published on Brazilian journalistic websites was carried out. We conclude that there are three types of repertoires in common triggered by these protests: a) the configuration of who the people are based on the bodies on the street; b) the vulnerability of female bodies expressed in confrontations especially involving police authorities and c) the vulnerability triggered as a political power, based on performances, bodies in struggle, message bodies, expressions of motherhood and symbols.
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Copyright (c) 2023 Regiane Lucas de Oliveira Garcez, Lívia Gomes Laudares, Deize Ferreira Paiva Lopes, Tomás Soares Pereira German, Tayrine Vaz Silva
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The authors retain copyright and grant the journal the right to publish their work for the first time under the Creative Commons licence, which allows the exchange of academic work and recognition of authorship in the journal.