Writing procedures and management of pigments: a reading of Samuel Beckett’s “Waiting for Godot” and “Endgame”

Authors

  • Sônia Maria Materno de Carvalho UFF

DOI:

https://doi.org/10.22409/gragoata.v16i31.33058

Keywords:

theatre, image, Beckett

Abstract

This text is intended as a study of Samuel Beckett’s theatre done in the perspective of an analysis of the visual dimension of the plays Waiting for Godot and Endgame. The attention will be focused on body’s fragmentation, space’s reduction and on the economy of gesture and colors with an emphasis on the Beckett’s insistence on the obscure and monochromatic stage.

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Author Biography

Sônia Maria Materno de Carvalho, UFF

Professora na Universidade Federal Fluminense (UFF). Doutora em Letras Neolatinas pela Universidade Federal do Rio de Janeiro (UFRJ, 1999). Tem experiência na área de Letras , com ênfase em Línguas Estrangeiras Modernas. Vem atuando principalmente nos seguintes temas: feminino, escrita, loucura.

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Published

2011-12-30

How to Cite

Carvalho, S. M. M. de. (2011). Writing procedures and management of pigments: a reading of Samuel Beckett’s “Waiting for Godot” and “Endgame”. Gragoatá, 16(31). https://doi.org/10.22409/gragoata.v16i31.33058

Issue

Vol. 16 No. 31 (2011): Intercultural intersections

Section

Literature Articles

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