Narratives of absence and power: the representation artifice in Saramago’s thesis novel

Authors

  • Ramsés Albertoni Barbosa Mestre em Poética (UFRJ). Mestrando em Comunicação (PPGCOM-UFJF)
  • Maria Luiza Igino Evaristo Doutora em Ciência da Religião (PPCIR-UFJF)

DOI:

https://doi.org/10.22409/gragoata.v23i47.33602

Keywords:

Saramago, late capitalism, sociability, urbanism, post-politics.

Abstract

In “roman à these” A caverna, Saramago produces an representation artifice that permits to elucidate forms of dominance, whose analysis derives from the criticism of the functioning of the principle of the market that limits the State and delegitimizes forms of sociability already proposed, whether by its liberal phase or by the organized phase of late capitalism. At the same time, it reveals other sociabilities subordinated by modernity. It is emphasized  how ethnical and political discourses fulfill the communicative conditions for a hermeneutic self-comprehension of collectivity, since they enable an authentic self- comprehension and lead to the criticism of a project of identity, in which it is necessary the fulfillment of certain conditions of a systematically non-deformed communication.

 

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DOI: http://dx.doi.org/10.22409/gragoata.2018n47a1153

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Author Biographies

Ramsés Albertoni Barbosa, Mestre em Poética (UFRJ). Mestrando em Comunicação (PPGCOM-UFJF)

Professor de Literatura e Pesquisador com ênfase na ditadura civil-militar de 1964  no Brasil.

Maria Luiza Igino Evaristo, Doutora em Ciência da Religião (PPCIR-UFJF)

Professora de História e Doutora em Ciência da Religião (PPCIR-UFJF)

Published

2018-12-29

How to Cite

Barbosa, R. A., & Evaristo, M. L. I. (2018). Narratives of absence and power: the representation artifice in Saramago’s thesis novel. Gragoatá, 23(47), 752-779. https://doi.org/10.22409/gragoata.v23i47.33602

Issue

Section

Literature Articles