Arte e experiência estética na tradição pragmatista
DOI:
https://doi.org/10.22409/poiesis.912.163-178Keywords:
pragmatismo, estética, arteAbstract
O autor traz um olhar atualizado do pragmatismo, filosofia nascida em terras norte-americanas, a partir das questões referentes à arte tratadas, sobretudo, por John Dewey em sua obra maior Art as Experience, de 1934. Discutindo a relação intrínseca que a arte mantém com a cultura, Cometti relativiza a noção de arte ao inscrever seu objeto no horizonte das culturas e, assim, no contexto dos usos. Defendendo o ponto de vista de uma arte como experiência, questiona a autonomia artística, associando a experiência com a obra às outras experiências mundanas, conquanto estejam em permanente troca. Por fim, questiona se existiria de fato uma estética pragmatista.Downloads
References
BEARDSLEY, Monroe. Aesthetics: Problems in the Philosophy of Criticism. 1958. Harcourt, Brace
& World, 1981.
COMETTI, Jean-Pierre. “Le pragmatisme”. La Philosophie anglo-saxonne. Ed. M. Meyer. Paris:
PUF, 1994.
______. L’Amérique comme expérience. Pau: PUP, 1999.
DANTO, Arthur. The Transfiguration of Commonplace. Cambridge: Harvard UP, 1981.
DEWEY, John. Art as Experience. New York: Perigee, 1980.
ECO, Umberto, et al. Interpretation and Overinterpretation. Ed. S. Collini. CUP, 1992.
ERLANDE-BRANDERBURG, Alain. De pierre, d’or et de feu. La création artistique au Moyen
Age, IVe—XIIIe siècle. Paris: Fayard, 1999.
GENETTE, Gérard. L’Œuvre de l’art. 2 vols. Paris: Seuil, 1994, 1997.
______. Figures IV. Paris: Seuil, 1999.
JAMES, William. Pragmatism: A New Name for Some Old Ways of Thinking. 1907. Indianapolis:
Hackett, 1981.
______. “Les Tigres de l’Inde”. L’Idée de vérité. Paris: Alcan, 1913.
LEVINSON, Jerrold. Music, Art, and metaphysics Ithaca: Cornell UP, 1990.
PEIRCE, Charles S. “Comment rendre nos idées claires”. Revue Philosophique (janvier 1879).
______. Ecrits sur le signe. Ed., trad. G. Deledalle. Paris: Seuil, 1972.
PERLOFF, Marjorie, Charles Jinkerman, eds. John Cage, composed in America. U of Chicago P, 1994.
PUTNAM, Hilary. Reason, Truth, and History. CUP, 1981.
______. Representation and Reality. Cambridge: MIT P, 1988
______. Realism with a Human Face. Cambridge: Harvard UP, 1990
______. Il Pramatismo : una questione aperta. Roma: Laterza, 1992.
RORTY, Richard. Consequences of Pragmatism. U of Minnesota P, 1982.
______. Philosopical Papers. 2 vols. CUP, 1991
______. Science et solidarité. Trad. J.-P. Cometti. Paris, L’Eclat, 1990.
______. Contigency, Irony, and Soldarity. CUP, 1992.
RUSSELL, Bertrand. Philosophical Essays. 1910. Trad. F. Clémentz, J.-P. Cometti. Essais
philosophiques. Paris: PUF, 1998.
SHUSTERMAN, Richard. Sous l’interpretation. Trad. J.-P. Cometti. Combas: L’Eclat, 1994.
______. La Fin de l’expérience esthétique. Trad. J.-P. Cometti, F. Gaspari, A. Combarnous. Pau:
PUP (“Quad”), 1999.
STECKER, Robert. Artworks. Pennsylvania State UP, 1997.
TIERCELIN, Claudine. C.S. Peirce et le pragmatisme. Paris: PUF, 1993.
WITTGENSTEIN, Ludwig. “Leçons sur l’esthétique”. Leçons et conversations. Trad. J. Fauve. Paris,
Gallimard, 1971.
Downloads
Published
How to Cite
Issue
Section
License
Authors who publish in Revista Poiésis agree to the following terms:
- The authors keep the copyright and grant the journal the right of first publication. The work is automatically licensed under the Creative Commons Attribution License, which enables its sharing as long as the authorship and initial publication in this journal are acknowledged.
- Authors are allowed and encouraged to distribute online their work published in Revista Poiésis (in institutional repositories or in their own personal page), since this can generate productive interactions, as well as increase the impact and citation of the published work (See The Effect of Free Access).
