Images of the Amazonia in Brazilian art: from the territory to conquer to the territory to resist
DOI:
https://doi.org/10.22409/poiesis.v22i38.45673Keywords:
Amazon, Brazilian art, ImageAbstract
This work seeks to discuss the images of the Amazonia in works by visual artists from the specialized artistic field in Brazil, from the beginning of the 20th century to the present. The theoretical-methodological basis moves between the social history of art and the anthropology of image. The images and works are shown in their links with political and aesthetic ideologies about the Amazon, from the formulation of the “conquest of the region”
discourse, through the various formulations of “amazon identities” based on natural and human landscapes, to the construction of the discourse of the need for cultural and political resistance against westernization.
Downloads
References
BASE7 (ed.). Arte pela Amazônia: arte e atitude. São Paulo: Base7, 2008. Catálogo de exposição.
BELTING, Hans. Antropologia da imagem. Tradução de Artur Morão. Lisboa: KKYM; EAUM, 2014.
CHAGAS, Pedro Dolabela. “1970”: arte e pensamento. Belo Horizonte: UFMG, 2018.
COUTO, André L. F.; SILVA, Luiza H. O. És tupi do Brasil: a presença do índio na obra de Clécio Penedo. Barra Mansa: C. Penedo, 2001.
FIGUEIREDO, Aline. Arte aqui é mato. Cuiabá: UFMT, 1990.
GALERIA PAULO PRADO. Dina Oliveira. São Paulo: Galeria Paulo Prado, 1985. Catálogo de exposição.
GONDIM, Neide. A invenção da Amazônia. São Paulo: Marco Zero, 1994.
GRUZINSKI, Serge. A Amazônia e as origens da globalização (Sécs.XVI-XVIII): da história local à história global. Belém: Estudos Amazônicos, 2014.
MARCELINO, Vitor. “Amazônia”, de Claudia Andujar e George Love, em contexto: as relações com a exposição Hileia Amazônica. In: FREIRE, Luiz et. al. (orgs.). Anais do XXXVIII Congresso do CBHA. Florianópolis: CBHA, 2019, p. 633-642.
MIGNOLO, Walter. Desobediencia epistémica: retórica de la modernidad, lógica de la colonialidad, gramática de la descolonialidad. Buenos Aires: Del Signo, 2010.
PÁSCOA, Luciane. As artes plásticas no Amazonas: o Clube da Madrugada. Manaus: Valer, 2011.
PIZARRO, Ana. Amazônia: as vozes do rio: imaginário e modernização. Tradução de Rômulo Monte Alto. Belo Horizonte: UFMG, 2012.
STIGGER, Verônica (cur.). Maria Martins: metamorfoses. São Paulo: MAM São Paulo, 2013.
Published
How to Cite
Issue
Section
License
Copyright (c) 2021 Gil Vieira Costa
![Creative Commons License](http://i.creativecommons.org/l/by-nc-nd/4.0/88x31.png)
This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.
Authors who publish in Revista Poiésis agree to the following terms:
- The authors keep the copyright and grant the journal the right of first publication. The work is automatically licensed under the Creative Commons Attribution License, which enables its sharing as long as the authorship and initial publication in this journal are acknowledged.
- Authors are allowed and encouraged to distribute online their work published in Revista Poiésis (in institutional repositories or in their own personal page), since this can generate productive interactions, as well as increase the impact and citation of the published work (See The Effect of Free Access).