From the series Pulsantes: Performance oriented to photography

Authors

DOI:

https://doi.org/10.22409/poiesis.v22i37.47223

Keywords:

performance, culture, experience, identity

Abstract

This text aims to theoretically think on the performative work developed in the region of Belém/PA, as attempts to understand its modes of subjectivation related to the narratives of Amazonian culture and identities of the ancestral past that moldes the present of the islands around the city, more specifically the Island of Cotijuba. Experiencing these livelingness territories I absorb myself to comprehend both the imagetic production of this research and the potentialities that emerge when connected through the intentional intervention of the narrative.

Downloads

Download data is not yet available.

Author Biography

Evna Moura, Universidade Estadual Paulista Júlio de Mesquita Filho, Unesp, Brasil

Evna Moura é educadora, artista visual e fotógrafa, e atualmente cursa o mestrado
na Unesp.

References

MARTINEZ, Rosa. Trocas: Introdução. In: 27ª BIENAL DE SÃO PAULO: Seminários. Curadoria geral Lisette Lagnado, cocuradores Adriano Pedrosa [et al.]; curador convidado Jochen Volz. Rio de Janeiro: Cobogó, 2008, p. 279-283.

SANSOT, Pierre. Les formes sensibles de la vie sociale. Paris: PUF. 1986.

Downloads

Published

2021-01-01

How to Cite

Moura, E. . (2021). From the series Pulsantes: Performance oriented to photography. REVISTA POIÉSIS, 22(37), 31-40. https://doi.org/10.22409/poiesis.v22i37.47223

Issue

Vol. 22 No. 37 (2021): Amazônidas: art, politics and resistance in the North of Brazil

Section

DOSSIER

License

Copyright (c) 2020 Evna Moura

Creative Commons License

This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.

Authors who publish in Revista Poiésis agree to the following terms:

  1. The authors keep the copyright and grant the journal the right of first publication. The work is automatically licensed under the Creative Commons Attribution License, which enables its sharing as long as the authorship and initial publication in this journal are acknowledged.

  2. Authors are allowed and encouraged to distribute online their work published in Revista Poiésis (in institutional repositories or in their own personal page), since this can generate productive interactions, as well as increase the impact and citation of the published work (See The Effect of Free Access).