(De) ocalized corporealities
performance drives of Pedra Costa
DOI:
https://doi.org/10.22409/poiesis.v22i38.49077Keywords:
Performance; Pêdra Costa; Territory; Aesthetic dissent.Abstract
Based on the artist Pêdra Costa's production – focusing on the exhibition À Nordeste and Solange tô aberta actions – I intend to develop in this article a reflection on the art of performance associated with political actions, action-word-performance, focusing on from discussion to decoloniality, a political perspective on the action of dissident bodies, comprising dissent from an aesthetic perspective. The article also seeks to discuss the territories of performance, thinking about the body, the border, the border, the creation of border spaces, and the (de) de-displacement that occurs through performance and the body.Downloads
References
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COHEN, Renato. Performance como linguagem. São Paulo: Perspectiva, 2016.
COSTA, Pêdra. Pêdra Costa: uma trajetória 2004-2017. São Paulo: Edições Sesc, 2019.
FERREIRA, Jerusa P. Culturas das bordas: edição, comunicação e cultura. Cotia: Ateliê Editorial, 2010.
GÓMEZ, Pedro P. “Introducción: trayectorias de la opción estética decolonial”. In: GÓMEZ, Pedro P. (org.). Arte y estética em la encrucijada descolonial II. Buenos Aires: Del Signo, 2014.
GÓMEZ-PEÑA, Guillermo. “Em defesa da arte da performance”. In. DAWSEY, John; MULLER, Regina; SATIKO, Rose; MONTEIRO, Mariana (org). Antropologia e performance: ensaios na pedra. São Paulo: Terceiro nome, 2013.
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