Three Modes of Authorship: Indeterminate, Ironic, and Stochastic

Authors

DOI:

https://doi.org/10.22409/poiesis.v23i40.53131

Keywords:

art; authorship; indeterminacy; irony; statistics

Abstract

This brief article proposes three categories of authorship that conceive it as an ambiguous form of identity according to different strategies of artistic making. The Sample&Hold synthesizer module, uncreative writing and Markov chains illustrate distinct ways of dealing with the question of "how to be an artist without being an author", formulated through indeterminacy, irony and statistics respectively. Observations made in this text are conceptual results of a personal process of research and artistic practices.

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Author Biography

Leona Machado, Universidade Federal Fluminense, Brasil

Artist-researcher and Bachelor of Arts student at Universidade Federal Fluminense (UFF), investigates formation of contemporary identity through computer algorithms applied to art.

References

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DELEUZE, Gilles; GUATTARI, Félix. Mil Platôs Vol. 4. São Paulo: Editora 34, 1997.

GOLDSMITH, Kenneth. Uncreative Writting: Managing Language in the Digital age. Nova York: Columbia University Press, 2011.

HACKETT, Pat. Diários de Andy Warhol. Porto Alegre: ‎L&PM Pocket, 2012. E-book.

LATOUR, Bruno. Vida de laboratório: a produção dos fatos científicos. Rio de Janeiro: Relume Dumará, 1997.

MORRIS, Simon. Getting Inside Jack Kerouac’s Head. 2008, Disponível em http://www.informationasmaterial.org/portfolio/getting--inside-jack-kerouacs-head/ Acesso em 15/02/2022.

MORRIS, Simon. Learn to Read Differently, Book Presence in a Digital Age. Nova York: Bloomsbury Academic, 2018. Disponível em https://site-writing.co.uk/learn-to-read-differently-2018/

Published

2022-07-01

How to Cite

Machado, L. . (2022). Three Modes of Authorship: Indeterminate, Ironic, and Stochastic. REVISTA POIÉSIS, 23(40), 159-171. https://doi.org/10.22409/poiesis.v23i40.53131