A METHODOLOGY OF WALKING PRACTICE
DOI:
https://doi.org/10.22409/poiesis.v24i41.56006Keywords:
Psychogeography, Cartography, Walking practiceAbstract
We often walk with the intention of going from one place to another, without paying proper attention to the middle of the path, to what is in front of us. Aesthetics and beauty go unnoticed by hurried glances and give way to previously drawn mental maps, created to achieve a perfect execution of our goal: to arrive. Arrive without detours and new routes. We do this constantly, we look at places as unknown zones, zones to which we do not belong and the behavior of each one of them depends only on us. Our goal is to trace a path to be followed for possible relationships with the city, which I can promote a new look at who chooses to see how far their feet will take them.
Downloads
References
BARBOSA, Ricardo. Limites do Belo – Escritos Sobre A Estética de Friedrich Schiller. São Paulo: Relicário, 2015.
BARROS, Laura; KASTRUP, Virgínia. Cartografar é acompanhar processos. In: PASSOS, Eduardo; KASTRUP, Virgínia; ESCÓSSIA, Liliana da. (Org.). Pistas do Método da Cartografia: pesquisa, intervenção e produção de subjetividade (pp. 52-75). Porto Alegre: Sulina, 2015.
CARERI, Francesco. Walkscapes: o caminhar como prática estética. São Paulo: G. Gili, 2013.
COVERLEY, Merlin. A arte do caminhar: o escritor como caminhante. Tradução Cristina Cupertino. São Paulo: Martins Fontes, 2016.
CULLEN, Gordon. (1983). Paisagem urbana. São Paulo: Martins Fontes, 1983.
DEBORD, Guy. (1957) Report on the Construction of Situations and on the International Situationist Tendency's Conditions of Organization and Action. Cosio d’Arroscia. Disponível em http://www.cddc.vt.edu/sionline/si/report.html. Acesso em 18/05/2022.
DELEUZE, Gilles.; GUATTARI, Félix. Mil Platôs – capitalismo e esquizofrenia, v. 5. Tradução de Peter Pál Pelbart e Janice Caiafa. São Paulo: Ed. 34, 1997.
FERRARA, Lucrécia D'Alessio. Os Significados Urbanos. São Paulo: Editora da Universidade de São Paulo, 2000.
GOMBRICH, Ernst Hans Josef. A História da Arte. São Paulo: LTC, 2015.
HEGEL, George Wilhelm Friedrich. Curso de Estética – O Belo na Arte. São Paulo: Martins Fontes, 2009.
JACQUES, Paola Berenstein (Org.). Apologia da Deriva. Escritos situacionistas sobre a cidade. Rio de Janeiro: Casa da Palavra, 2003.
KANT, Immanuel. Crítica da faculdade do juízo. Tradução Valério Rohden e Antônio Marques (2ª ed.). Rio de Janeiro: Forense Universitária, 1995.
KHATIB, A. Esboço de descrição psicogeográfica do Les Halles de Paris, 1958. In: JACQUES, P. B. (org.). Apologia da Deriva. Escritos situacionistas sobre a cidade. Rio de Janeiro: Casa da Palavra, 2003. p. 79-84.
Downloads
Published
How to Cite
Issue
Section
License
Copyright (c) 2023 Laís Rodrigues, Evandro Fiorin
![Creative Commons License](http://i.creativecommons.org/l/by-nc-nd/4.0/88x31.png)
This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.
Authors who publish in Revista Poiésis agree to the following terms:
- The authors keep the copyright and grant the journal the right of first publication. The work is automatically licensed under the Creative Commons Attribution License, which enables its sharing as long as the authorship and initial publication in this journal are acknowledged.
- Authors are allowed and encouraged to distribute online their work published in Revista Poiésis (in institutional repositories or in their own personal page), since this can generate productive interactions, as well as increase the impact and citation of the published work (See The Effect of Free Access).