Fight, cinema and clinic, a case of perversion

Authors

  • Eduardo Passos Universidade Federal Fluminense, Brasil
  • Cezar Migliorin UFF

DOI:

https://doi.org/10.22409/poiesis.v24i42.60101

Keywords:

clinic, Brazilian cinema, perversion

Abstract

With two central arguments we approach the relationship between cinema and contemporary clinical practice. 1) Something happens in cinema that invites us to look at it as a field of possibilities for thinking subjective processes and the clinic of the unconscious today. 2) Subjective and aesthetic events demand us to see the hot and powerful facet of the perversion intercessor. It is with the film Dry Ground Burning (2022), by Joana Pimenta and Adirley Queiroz that we cover these two arguments.

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v. 24 n. 42 (2023): Arte, ciência e movimento: do ancestral ao contemporâneo

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Published

2023-12-30 — Updated on 2024-03-12

Versions

How to Cite

Passos, E. ., & Migliorin, C. (2024). Fight, cinema and clinic, a case of perversion. REVISTA POIÉSIS, 24(42), 175-186. https://doi.org/10.22409/poiesis.v24i42.60101 (Original work published December 30, 2023)

Issue

Vol. 24 No. 42 (2023): Science, Art, and Movement: from the Ancient to the Contemporary

Section

ARTICLES

License

Copyright (c) 2023 Cezar Migliorin

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