Fight, cinema and clinic, a case of perversion
DOI:
https://doi.org/10.22409/poiesis.v24i42.60101Keywords:
clinic, Brazilian cinema, perversionAbstract
With two central arguments we approach the relationship between cinema and contemporary clinical practice. 1) Something happens in cinema that invites us to look at it as a field of possibilities for thinking subjective processes and the clinic of the unconscious today. 2) Subjective and aesthetic events demand us to see the hot and powerful facet of the perversion intercessor. It is with the film Dry Ground Burning (2022), by Joana Pimenta and Adirley Queiroz that we cover these two arguments.
Downloads
Downloads
Published
Versions
- 2024-03-12 (3)
- 2024-03-12 (2)
- 2023-12-30 (1)
How to Cite
Issue
Section
License
Copyright (c) 2023 Cezar Migliorin
This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.
Authors who publish in Revista Poiésis agree to the following terms:
- The authors keep the copyright and grant the journal the right of first publication. The work is automatically licensed under the Creative Commons Attribution License, which enables its sharing as long as the authorship and initial publication in this journal are acknowledged.
- Authors are allowed and encouraged to distribute online their work published in Revista Poiésis (in institutional repositories or in their own personal page), since this can generate productive interactions, as well as increase the impact and citation of the published work (See The Effect of Free Access).