From the barroque musicality in “The inquisitors' manual”

Authors

  • Mariana Neto Silva Andrade Universidade Federal Fluminense (UFF)

DOI:

https://doi.org/10.22409/abriluff.v2i3.29807

Keywords:

baroque, musicality, António Lobo Antunes

Abstract

The intention of this work is to consider a reflection between elements of a baroque’s musicality and her application in a contemporary literally text; that is the novel O manual dos inquisidores here, written by António Lobo Antunes, a Portuguese author, published in 1998. I will explain some artistic procedures presents in the book, like the repetition of words and phrases, the organization of the text and the presence of the polyphony, as a important characteristics of a inherited cultural legacy of the baroque one. I understand the baroque not as a cultural movement stuck in a historic period, but like a feeling that can happen in another time, also in the contemporary period.

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Published

2009-11-19

How to Cite

Andrade, M. N. S. (2009). From the barroque musicality in “The inquisitors’ manual”. ABRIL – NEPA / UFF, 2(3), 120-131. https://doi.org/10.22409/abriluff.v2i3.29807