Baroque impressions in an Agustina Bessa-Luís narrative
DOI:
https://doi.org/10.22409/abriluff.v2i3.29809Keywords:
Baroque, neobaroque, Agustina Bessa-LuísAbstract
Severo Sarduy, the writer, in the last pages of his Baroque book will expatiate on certain expressions of the Baroque that are still possible in the contemporary. One way, according Sarduy, would be the subversion, for instance, by a logic of waste and abundance, used at a time when the economy seems to prevail vocabulary. Before we believe that analysis of the romance book have certain resistances or baroque waste, we will elucidate the perspective of being taken from some views on the contemporary world. In the book "The Round of the Night", by Agustina Bessa-Luís, we can see a narrative in which there is a critical examination of the experience of the values and ideals through development that, through its own procedures in writing or by choice of the book with the same title as the painting of the Dutch painter Rembrandt, there is a constant questioning of the human condition of our time.
Downloads
Downloads
Published
How to Cite
Issue
Section
License
I authorize the journal Abril - NEPA/UFF to publish the paper of my authorship/responsibility that I now submit, in case it is accepted for online publication.
Moreover, I declare that this contribution is original, that it was not submitted to any other editor for publication, and I sign the present declaration attesting the truth of all its contents.
The copyright of the works published at the virtual space of the journal Abril - NEPA/UFF are automatically entitled to the journal. Their total or partial reproduction is conditioned to the authors' citations and publication data.
Abril is licensed under a Creative Commons - Attribution-NonCommercial 4.0 International (CC BY-NC 4.0).