Aesthetic Experience, Neurology and Cultural Memory
DOI:
https://doi.org/10.15175/1984-2503-202315208Palavras-chave:
neuro-aesthetics, aesthetic experience, cultural memory, Mao II, perception processResumo
Neuro-aesthetics is a new scientific field in the field of research on the perception of beauty as well as the creation of art. This science deals with the connection between areas of the human brain and nervous systems with the perception of beauty. Neuro-aesthetic researchers and theorists consider the perception of beauty to have a biological basis. Aesthetics refers to the knowledge of how the senses are used to know. The purpose of writing this article is to review and introduce Don DeLillo's view on art and Aesthetics in the book Mao II and to extend the references in aesthetic education. This research is trying to determine the scope of this science and to express the challenges that are on this claim. The result of this research, which was carried out by examining the results of neuro-aesthetic tests and criticisms and opinions of theorists, shows that artistic perception is not mere visual perception, but variables such as historical, cultural factors, and conceptual understanding of the work are influential in artistic understanding.
Downloads
Referências
CARRARO, Andrea et al. The Aesthetics of Culture: Framing Shared Experiences through Embodied Metaphors. In: WEHRS, Donald R.; NALBANTIAN, Suzanne; TUCKER, Don M. (Ed.). Cultural Memory: From the Sciences to the Humanities. [S.l.]: Routledge, 2022. p. 121-136.
CLARK, Samuel E. Terrorism and spectacle in White noise and Mao II. 2013. Thesis (Bachelors)_ College of Arts and Sciences, University of Missouri, Columbia, 2013.
GREER, Peter. Beauty, Wellbeing & Prosperity. London: Commission for Architecture and the Built Environment, 2010.
JAMALPOUR, Hamed; YAGHOOBI-DERAB, Javad. A review of the philosophy of aesthetics and art based on theoretical and methodological considerations. Revista de Investigaciones Universidad del Quindío, v. 34, n. S2, p. 426-435, 2022a.
JAMALPOUR, Hamed; YAGHOOBI-DERAB, Javad. Cultural memory and neuro-critical reading of Ian McEwan's atonement. Revista de Investigaciones Universidad del Quindío, v. 34, n. S2, p. 436-442, 2022b. Available at: https://ojs.uniquindio.edu.co/ojs/index.php/riuq/article/download/1142/1683/6961. Accessed on: 22 Dec. 2023.
LEDER, Helmut; NADAL, Marcos. Ten years of a model of aesthetic appreciation and aesthetic judgments: The aesthetic episode–Developments and challenges in empirical aesthetics. British journal of psychology, v. 105, n. 4, p. 443-464, 2014. https://doi.org/10.1111/bjop.12084
PEARCE, Marcus T. et al. Neuroaesthetics: The cognitive neuroscience of aesthetic experience. Perspectives on psychological science, v. 11, n. 2, p. 265-279, 2016. https://doi.org/10.1177/1745691615621274
RAMACHANDRAN, Vilayanur S.; HIRSTEIN, William. The science of art: A neurological theory of aesthetic experience. Journal of consciousness Studies, v. 6, n. 6-7, p. 15-51, 1999. Available at: https://philarchive.org/rec/RAMTSO-5. Accessed on: 22 Dec. 2023
REYBROUCK, Mark; BRATTICO, Elvira. Neuroplasticity beyond sounds: neural adaptations following long-term musical aesthetic experiences. Brain Sciences, v. 5, n. 1, p. 69-91, 2015. https://doi.org/10.3390%2Fbrainsci5010069
SCANLAN, Margaret. Writers Among Terrorists: Don Delillo's" Mao II" And The Rushdie Affair. Modern Fiction Studies, v. 40, n. 2, p. 229-252, 1994. https://www.jstor.org/stable/26284432
XU, Yiqing; ZHAO, Jiannan. The Power of History: How A Victimization Narrative Shapes National Identity and Public Opinion in China. Research & Politics, v. 10, n. 2, 2023. https://doi.org/10.1177/20531680231154837
Downloads
Publicado
Como Citar
Edição
Seção
Licença
Copyright (c) 2023 Passagens: Revista Internacional de História Política e Cultura Jurídica
![Creative Commons License](http://i.creativecommons.org/l/by/4.0/88x31.png)
Este trabalho está licenciado sob uma licença Creative Commons Attribution 4.0 International License.
Solicita-se enviar, em anexo, um termo de transferência de direitos autorais, contendo assinatura do(a)s autor(a)s, conforme o modelo abaixo:
Este trabalho está licenciado com uma Licença licencia de Creative Commons Reconocimiento 4.0 Internacional.