Ressonância atmosférica: movimento sônico e a questão da mediação religiosa
DOI:
https://doi.org/10.22409/antropolitica2024.v56.i2.a59013Palavras-chave:
Atmosferas, Islã, Ilhas Maurício, Mediação, Memória.Resumo
Devido às suas características materiais, o sônico representa um desafio para o influente paradigma da religião como mediação. Este ensaio defende uma análise neofenomenológica das atmosferas para fazer justiça ao sônico nas abordagens antropológicas da religião. Abordando o sônico como semi-coisas atmosféricas, proponho uma compreensão diferente da mediação religiosa daquela desenvolvida em contextos em que predominam imagens, objetos e mídias técnicas. Com base em uma pesquisa sobre a recitação da poesia devocional urdu entre os muçulmanos das Ilhas Maurícias, sugere-se que a religião sônica não funciona como um intermediário estável que conecta os humanos e o divino. Em vez disso, ela opera por meio de processos de agrupamentos ressonantes, entrelaçando diferentes vertentes da experiência vivida, inclusive tradições religiosas.
Downloads
Referências
ABELS, Birgit. Hörgemeinschaften: Eine musikwissenschaftliche Annäherung an die Atmosphärenforschung. Die Musikforschung, Kassel, v. 66, n. 3, p. 220-231, 2013. Disponível em: https://doi.org/10.52412/mf.2013.H3.120. Acesso em: 12 jun. 2024.
ABELS, Birgit. Musical atmospheres and sea-nomadic movement among the Sama Dilaut: sounding out a mobile world. Mobile Culture Studies, Graz, v. 3, p. 21-36, 2017.
Disponível em: https://doi.org/10.25364/08.3:2017.1.2. Acesso em: 12 jun. 2024.
ABELS, Birgit. Music, affect and atmospheres: meaning and meaningfulness in Palauan omengeredakl. The International Journal of Traditional Arts, Sheffield, v. 2, p. 1-17, 2018. Disponível em: https://tradartsjournal.ncl.ac.uk/index.php/ijta/article/view/16. Acesso em: 12 jun. 2024.
ABELS, Birgit. Bodies in motion: music, dance and atmospheres in Palauan ruk. In: RIDEL, Friedlind; TORVINEN, Juha. Music as atmosphere: collective feelings and affective sounds. Londres: Routledge, 2020. p. 166-183.
BINSWANGER, Ludwig. Das Raumproblem in der Psychopathologie. Zeitschrift für die gesamte Neurologie und Psychiatrie, Berlin, v. 145, n. 1, p. 598-647, 1933.
BLANTON, Anderson. Hittin’ the prayer bones: materiality of spirit in the Pentecostal South. Chapel Hill: University of North Carolina Press, 2015.
BÖHME, Gernot. Acoustic atmospheres: a contribution to the study of ecological aesthetics. Soundscape: The Journal of Acoustic Ecology, [s. l.], v. 1, n. 1, p. 14-18, 2000.
BÖHME, Gernot. The aesthetics of atmospheres. London: Routledge, 2017.
COX, Christoph. Beyond representation and signification: toward a sonic materialism. Journal of Visual Culture, Thousand Oaks, v. 10, n. 2, p. 145-161, 2011. Disponível em: https://doi.org/10.1177/14704129114028. Acesso em: 12 jun. 2024.
COX, Christoph. Sonic flux: sound, art, and Metaphysics. Chicago: University of Chicago Press, 2018.
CSORDAS, Thomas. Intersubjectivity and intercorporeality. Subjectivity, Berlin, v. 22, p. 110-121, 2008.
DELEUZE, Gilles. Vincennes Session of April 15, 1980, Leibniz Seminar. Discourse, Detroit, v. 20, n. 3, p. 77-97, 1998.
DELEUZE, Gilles. Francis Bacon: The logic of sensation. Nova York: Continuum, 2005.
EISENLOHR, Patrick. As Makkah is sweet and beloved, so is Medina: Islam, devotional genres and electronic mediation in Mauritius. American Ethnologist, New York, v. 33, n. 2, p. 230-245, 2006.
EISENLOHR, Patrick. Technologies of the spirit: devotional Islam, sound reproduction, and the dialectics of mediation and immediacy in Mauritius. Anthropological Theory, Thousand Oaks, v. 9, n. 3, p. 273-296, 2009.
EISENLOHR, Patrick. Cosmopolitanism, globalization, and Islamic piety movements in Mauritius. City and Society, Arlington, v. 24, n. 1, p. 7-28, 2012. Disponível em: https://doi.org/10.1111/j.1548-744X.2012.01065.x. Acesso em: 12 jun. 2024.
EISENLOHR, Patrick. Sounding Islam: voice, media, and sonic atmospheres in an Indian Ocean World. Oakland: University of California Press, 2018a.
EISENLOHR, Patrick. Suggestions of movement: voice and sonic atmospheres in Mauritian Muslim devotional practices. Cultural Anthropology, Arlington, v. 33, n. 1, p. 32-57, 2018b. Disponível em: https://doi.org/10.14506/ca33.1.02. Acesso em: 12 jun. 2024.
EISENLOHR, Patrick. Atmospheric resonance: sonic motion and the question of religious mediation. Journal of the Royal Anthropological Institute, Hoboken, v. 28, n. 2, p. 613-631, 2022. Disponível em: https://doi.org/10.1111/1467-9655.13662. Acesso em: 12 jun. 2024.
EL-TOM, Abdullahi. Drinking the Koran: the meaning of Koranic verses in Berti erasure. Africa, v. 55, n. 4, p. 414-431, 1985.
ENGELKE, Matthew. Religion and the media turn: a review essay. American Ethnologist, New York, v. 37, n. 2, p. 371-79, 2010. Disponível em: https://www.jstor.org/stable/40784527. Acesso em: 12 jun. 2024.
ENGELKE, Matthew. Angels in Swindon: public religion and ambient faith in England. American Ethnologist, New York, v. 39, n. 1, p. 155-170, 2012. Disponível em: https://www.jstor.org/stable/41410482. Acesso em: 12 jun. 2024.
ERLMANN, Veit (ed.). Hearing cultures: essays on sound, listening and modernity. Oxford: Berg, 2004.
FELD, Stephen. Waterfalls of song: an acoustemology of place resounding in Bosavi, Papua Nova Guiné. In: FELD, Stephen; BASSO, Keith (ed.). Senses of Place. Santa Fé: School of American Research Press, 1996. p. 91-135.
FELD, Stephen. Jazz cosmopolitanism in Accra: five musical years in Ghana. Durham: Duke University Press, 2012.
FELD, Stephen; FOX, Aaron; PORCELLO, Thomas; SAMUELS, David. Vocal Anthropology: from the music of language to the language of song. In: DURANTI, Alessandro. A companion to Linguistic Anthropology. Malden: Blackwell, 2004. p. 321-345.
GADE, Anna M. Recitation. In: RIPPIN, Andrew (ed.). The Blackwell Companion to the Qur’an. Malden: Blackwell, 2006. p. 481-493.
GREGERSEN, Andreas M. Exploring the atmosphere inside a liturgical laboratory. Material Religion, Abingdon-on-Thames, v. 17, n. 5, p. 627-650, 2021. Disponível em: https://doi.org/10.1080/17432200.2021.1945990. Acesso em: 12 jun. 2024.
HEIDEGGER, Martin. Being and Time. Albany: State University of New York Press, 2010.
HIRSCHKIND, Charles. The Ethical soundscape: cassette Sermons and Islamic counterpublics. New York: Columbia University Press, 2006.
HIRSCHKIND, Charles. Media, mediation, religion. Social Anthropology, Hoboken, v. 19, n. 1, p. 90-97, 2011. Disponível em: https://doi.org/10.1111/j.1469-8676.2010.00140_1.x. Acesso em: 12 jun. 2024.
HOUTMAN, Dick; MEYER, Birgit (org.). Things: religion and the question of materiality. New York: Fordham University Press, 2012.
INGOLD, Tim. Lines: a brief history. Londres: Routledge, 2007.
KAPCHAN, Deborah. Traveling spirit masters: Moroccan Gnawa trane and music in the global marketplace. Middletown: Wesleyan University Press, 2007.
KEANE, Webb. Religious Language. Annual Review of Anthropology, Redwood City, v. 26, p. 47-71, 1997.
KRÄMER, Sybille. Medien, Bote, Übertragung: Kleine Metaphysik der Medialität. Frankfurt: Suhrkamp, 2008.
LEHRICH, Chistopher I. The unanswered question: music and theory of religion. Method and Theory in the Study of Religion, Leiden, v. 26, p. 22-43, 2014. Disponível em: https://doi.org/10.1163/15700682-12341266. Acesso em: 12 jun. 2024.
MEYER, Birgit. “Praise the Lord”: Popular cinema and pentecostalite style in Ghana’s new public sphere. American Ethnologist, New York, v. 31, n. 1, p. 92-110, 2004.
MEYER, Birgit. Religion as mediation. Entangled Religions, Bochum, v. 11, n. 3, p. 1-21, 2020. Disponível em: https://doi.org/10.13154/er.11.2020.8444. Acesso em: 12 jun. 2024.
MEYER, Birgit; MOORS, Annelies (org.). Religion, media, and the public sphere. Bloomington: Indiana University Press, 2006.
MORGAN, David. The sacred gaze: religious visual culture in theory and practice. Berkeley: University of California Press, 2005.
NIETZSCHE, Friedrich. Writings from the late notebooks. Cambridge: Cambridge University Press, 2003.
OTTO, Rudolf. Das Heilige: Über das Irrationale in der Idee des Göttlichen und sein Verhältnis zum Rationalen. München: Beck, 2014.
PLATE, Brent (ed.) Key terms in material religion. London: Bloomsbury, 2015.
RADERMACHER, Martin. “Not a church anymore”: the deconsecration and conversion of the Dominican Church in Münster (Westphalia, Germany). Material Religion, Abingdon-on-Thames, v. 17, n. 1, p. 1-28, 2021. Disponível em: https://doi.org/10.1080/17432200.2020.1870856. Acesso em: 12 jun. 2024.
REINHARDT, Bruno. Soaking in tapes: the haptic voice of global Pentecostal pedagogy in Ghana. Journal of the Royal Anthropological Institute, Hoboken, v. 20, p. 315-336, 2014. Disponível em: https://rai.onlinelibrary.wiley.com/doi/abs/10.1111/1467-9655.12106. Acesso em: 12 jun. 2024.
REINHARDT, Bruno. Atmospheric presence: reflections on “mediation” in the Anthropology of Religion and Technology. Anthropological Quarterly, Washington, DC, v. 93, n. 1, p. 1523-1554, 2020. Disponível em: https://anthrosource.onlinelibrary.wiley.com/doi/abs/10.1111/amet.12522. Acesso em: 12 jun. 2024.
RIEDEL, Friedlind. Music as atmosphere. Lines of Becoming in Congregational Worship. Lebenswelt, Milan, v. 6, p. 80-111, 2015. Disponível em: https://doi.org/10.13130/2240-9599/4913. Acesso em: 12 jun. 2024.
ROBBINS, Joel. Keeping God’s distance: Sacrifice, possession, and the problem of religious mediation. American Ethnologist, New York, v. 44, n. 3, p. 464-475, 2017. Disponível em: https://anthrosource.onlinelibrary.wiley.com/doi/abs/10.1111/amet.12522. Acesso em: 12 jun. 2024.
SCHMITZ, Hermann. System der Philosophie: Der Gefühlsraum. Bonn: Bouvier, 1969. v. 2.
SCHMITZ, Hermann. Der Leib, der Raum und die Gefühle. Basel: Aisthesis, 2009.
SCHMITZ, Hermann; MÜLLAN, Rudolf O.; SLABY, Jan. Emotions outside the box-the new phenomenology of feeling and corporeality. Phenomenology and the Cognitive Sciences, Amsterdam, v. 10, p. 241-259, 2011. Disponível em: https://link.springer.com/article/10.1007/s11097-011-9195-1. Acesso em: 12 jun. 2024.
SCHMITZ, Hermann. Atmosphären. Freiburg: Alber, 2014.
SCHOPENHAUER, Arthur. O mundo como vontade e representação. New York: Dover Publications, 1969.
SIMONDON, Gilbert. The Genesis of the Individual. In: CRARY, Jonathan; KWINTER, Sanford. Incorporations. New York: Zone, 1992. p. 297-319
STERNE, Jonathan. The audible past: cultural origins of sound reproduction. Durham: Duke University Press, 2003.
STEWART, Kathleen. Atmospheric Attunements. Environment and Planning D: Society and Space, Thousand Oaks, v. 29, p. 445-453, 2011. Disponível em: https://journals.sagepub.com/doi/10.1177/0263276405054993. Acesso em: 12 jun. 2024.
STOLOW, Jeremy. Religion and/as media. Theory, Culture, and Society, Thousand Oaks, v. 22, n. 4, p. 119-145, 2005.
SYKES, Jim; BYL, Julia. Ethnomusicology and the Indian Ocean: on the politics of area studies. Ethnomusicology, Durham, v. 64, n. 3, p. 394-421, 2020. Disponível em: https://www.jstor.org/stable/10.5406/ethnomusicology.64.3.0394. Acesso em: 12 jun. 2024.
TAMIMI ARAB, Pooyan. Amplifying Islam in the European soundscape: religious pluralism and secularism in the Netherlands. London: Bloomsbury, 2017.
TELLENBACH, Hugo. Geschmack und Atmosphäre: Medien menschlichen Elementarkontaktes. Salzburg: Otto Müller, 1968.
WEINER, Isaac. Calling everyone to pray: pluralism, secularism, and the Adhān in Hamtramck, Michigan. Anthropological Quarterly, Washington, v. 87, n. 4, p. 1049-1077, 2014. Disponível em: https://muse.jhu.edu/pub/35/article/564869. Acesso em: 12 jun. 2024.
WEINRICH, Ines. The materiality of sound, mediation, and practices of listening: observations from historic and contemporary Muslim practices. Entangled Religions, Bochum, v. 11, n. 3, p. 1-19, 2020. Disponível em: https://doi.org/10.13154/er.11.2020.8555. Acesso em: 12 jun. 2024.
WILKE, Annette. Moving religion by sound: on the effectiveness of the Nada-Brahman in India and modern Europe. In: GRIESER, Alexandra; JOHNSTON, Jay (ed.). Aesthetics of religion: a connective concept. Berlin: De Gruyter, 2017. p. 323-346.
##submission.downloads##
Publicado
Como Citar
Edição
Secção
Licença
Direitos de Autor (c) 2024 Patrick Eisenlohr; Vânia Zikán Cardoso
Este trabalho encontra-se publicado com a Licença Internacional Creative Commons Atribuição 4.0.
O conteúdo da revista Antropolítica, em sua totalidade, está licenciado sob uma Licença Creative Commons de atribuição CC-BY (http://creativecommons.org/licenses/by/4.0/deed.pt).
De acordo com a licença os seguintes direitos são concedidos:
- Compartilhar – copiar e redistribuir o material em qualquer suporte ou formato;
- Adaptar – remixar, transformar, e criar a partir do material para qualquer fim, mesmo que comercial;
- O licenciante não pode revogar estes direitos desde que você respeite os termos da licença.
De acordo com os termos seguintes:
- Atribuição – Você deve informar o crédito adequado, fornecer um link para a licença e indicar se alterações foram feitas. Você deve fazê-lo em qualquer maneira razoável, mas de modo algo que sugira que o licenciante o apoia ou aprova seu uso;
- Sem restrições adicionais — Você não pode aplicar termos jurídicos ou medidas de caráter tecnológico que restrinjam legalmente outros de fazerem algo que a licença permita.