Humanist vestiges in contemporary science fiction

Autores

  • Dorothea von Mücke Columbia University

DOI:

https://doi.org/10.22409/cadletrasuff.2019n58a658

Palavras-chave:

humanismo, her, ex machina.

Resumo

Both Spike Jonze’s her and Alex Garland’s ex machina make references to such outdated media and cultural techniques as the handwritten letter, the hand-drawn sketch, oil paintings and the bound volume of the book. An analysis of the use and function of these seemingly obsolete cultural techniques in the two science fiction movies reveals a surprising commitment to traditionally humanist values as grounded in the invocation of the individualized, mortal human body.

---------------------------------------------------------------------------------------------

VESTÍGIOS HUMANISTAS NA FICÇÃO CIENTÍFICA CONTEMPORÂNEA

Tanto her, de Spike Jonze, quanto ex machina, de Alex Garland, fazem referência a técnicas culturais e de comunicação antiquadas, como a carta escrita à mão, o desenho também feito à mão, pinturas a óleo e o volume encadernado do livro. Uma análise do uso e da função dessas técnicas culturais aparentemente ultrapassadas nos dois filmes de ficção científica revela um surpreendente compromisso com valores tradicionalmente humanistas, centrado na invocação do corpo humano mortal e individualizado.

---

Original em inglês.

Downloads

Não há dados estatísticos.

Biografia do Autor

Dorothea von Mücke, Columbia University

Department of Germanic Languages

Referências

ex machina. Directed by Alex Gardner. Produced by Eli Bush, Andrew McDonald, Allon Reich et al. Script by Alex Gardner. UK: DNA Films, 2014.

GARLAND, Alex. ex machina. Final Script. e-book. London: Faber and Faber, 2015.

GOETHE, J.W. von. The Sorrows of Young Werther. Translated by W.H. Auden. New York: Vintage, 1971.

______. Die Leiden des jungen Werthers. Edited by Waltraud Wiethölter. Berlin: Deutscher Klassiker Verlag, 2006.

her. Directed by Spike Jonze. Produced by Chelsea Barnard, Megan Ellison, Natalie Farrey et al. Script by Spike Jonze. USA: Annapurna Pictures, 2013.

HODGE, James J. Gifts of Ubiquity. Film Criticism, 39, 2: 53-78, Winter 2014.

JACOBSON, Brian. Ex Machina in the Garden. Film Quarterly, 69, 4: 23–34, 2016.

JONES, Katie. Bluebeardean Futures in Alex Garland’s Ex Machina. Gender Forum, vol. 58, 2016, http://www.genderforum.org/issues/gender-and-captivity/bluebeardean-futures-in-alex-garlands-ex-machina-2015/.

JONZE, Spike. her. Final Script, 2013, http://www.screenplaydb.com/film/scripts/her.pdf.

KANT, Immanuel. Fine Art is the Art of Genius. In: ______. Critique of Judgment. Translated by Werner S. Pluhar. Indianapolis: Hackett, 1987, p.174-175.

MORITZ, Karl Philipp. Anton Reiser. Translated by Ritchie Robertson. London: Pen-guin, 1997.

RICHARDSON, Samuel. Letters written to and for particular friends: on the most im-portant occasions. Directing not only the requisite style and forms to be observed in writing familiar letters; but how to think and act justly and prudently, in the common concerns of human life. London: printed for C. Rivington; J. Osborn; and J. Leake, at Bath, 1741.

SCHEIBLE, Jeff. Longing to Connect: Cinema’s Year of OS Romance. Film Quarterly, 68, 1: 22-31, 2014.

TRUBEK, Anne. Handwriting Just Doesn’t Matter. The New York Times, http://www.nytimes.com/2016/08/21/opinion/handwriting-just-doesnt-matter.html, 08/20/2016.

WATTS, Alan. The Book on the Taboo Against Knowing Who You Are. New York: Vintage, 1989.

WELLBERY, David E. Morphisms of the Phantasmatic Body: Goethe’s The Sorrow of Young Werther. In: KELLY, Veronica; MÃœCKE, Dorothea von (eds.). Body and Text in the Eighteenth Century. Stanford: Stanford UP, 1994, p. 181-208.

Wikipedia. Alan Watts. https://en.wikipedia.org/wiki/Alan_Watts.

Downloads

Publicado

2019-07-12

Como Citar

VON MüCKE, D. Humanist vestiges in contemporary science fiction. Cadernos de Letras da UFF, v. 29, n. 58, p. 127-147, 12 jul. 2019.