The "grand tour" and the "Risorgimento": Italy's romantic imaginary in French literature
DOI:
https://doi.org/10.22409/gragoata.v17i33.33009Keywords:
grand tour, pictorial descriptions, Risorgimento, French RomanticismAbstract
This essay will examine some accounts of French travelers-writers of the nineteenth century, which, in the tradition of the grand tour, described in textual pictures and ecfrasis an imaginary of plastic beauty related to Italian scenes and landscapes. The historical context of the struggle for Italian unification is highlighted in some passages from Chateaubriand’s Voyage en Italie, Stendhal’s Promenades dans Rome and Theophile Gautier’s Voyage en Italie, pointing out the construction of the look at the other according to different aesthetic - neoclassical, modern and romantic -, various pictorial genres - history painting, genre painting and landscapes - and literary genres: letters and memoirs, guides and travel stories. As a means to emphasize the relationship between fictional and pictorial art and literature and the projection of political contexts, in counterpoint there is a different, “another” look, that of George Sand and Alexandre Dumas.
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