Mixture, pororoca and spectrology: a reading of Paulo Leminski

Authors

  • Mario Cámara Universidade de Buenos Aires

Keywords:

Spectrology, literary theory, Brazilian literature, avant-garde

Abstract

Under the appealing to spectrology, this piece of work presents a re-reading of the origins of writer Paulo Leminski, in a dialogue and confrontation with the introductions that Caetano Veloso and Haroldo de Campos made in 1983 for the first compiled edition of his poems, Caprichos & Relaxos. This "first" presentation of Leminski's writings turns down another origin, which was the publishing of his novel Catatau in 1975. So, reading those introductions, which dim from the previous edition of a novel, and restoring this novel piece in the genealogy of Leminski' s works, we bring forth not only a shaded "another" origin, but "another" writer and a whole "different" literary project, inscribing Leminski in an awkward new place into the Brazilian literary field. Finally, we tried in this piece of work to outline the paradoxical situation he assumed within this field, varying between his difficult link to the avant-garde and his need of transcending it.

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Original in Spanish.

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Author Biography

Mario Cámara, Universidade de Buenos Aires

Doutorando em Letras e professor de Teoria Literária na Universidade de Buenos Aires e de Literatura na Universidade de San Andrés. É editor da Revista Grumo, literatura e imagem e integrante do conselho editorial da revista OROBORO, Curitiba. Tem colaborado com as revistas Sibila (São Paulo) e Inimigo Rumor (Rio de Janeiro).

Published

2005-12-19

How to Cite

Cámara, M. (2005). Mixture, pororoca and spectrology: a reading of Paulo Leminski. Gragoatá, 9(17). Retrieved from https://periodicos.uff.br/gragoata/article/view/33322