O ato teórico no filme Entre nós talvez estejam multidões: conceito, proposição, programa, série

Abstract

This text proposes an analysis of the movie Entre nós talvez estejam multidões (2020), through the Filmmakers Theory. The objective of the article is to highlight thinking strategies in a work that places the theoretical act at the service of the multitude, which in the film also appears related to a structural plan, formed by the so-called “Autonomous Structuring Blocks”. First, the article presents premises of research in Filmmakers Theory. Then, it considers four thought production strategies in the film: a) the introduction of the concept of multitude in the title and its dialogue with the images; b) the enunciation of a proposition in the title; c) the existence of a program that structures the film (the “Structuring Autonomous Blocks”); d) the production of a series with the film Videomemória (2020). In Entre nós talvez estejam multidões, the theoretical-intellectual investment is not a condition to access the film, as it seems to emerge from the surroundings, with the questioning that the film manages to pose about itself.