Vol. 3 No. 5 (2010): INTERSEMIOTIC DIALOGUES

View Vol. 3 No. 5 (2010): INTERSEMIOTIC DIALOGUES
2nd. sem.: Jul.-Dec. 2010.
Issue date: Nov. 30, 2010.
DOI: https://doi.org/10.22409/abriluff.v3i5
Published: 2010-11-30

Introduction

  • Introduction

    Laura Cavalcante Padilha, Iris Maria da Costa Amâncio
    7
    DOI: https://doi.org/10.22409/abriluff.v3i5.29760

Articles

  • Costa Andrade and the memory stone lapidation: bonds between poetry and painting

    Carmen Lúcia Tindó Secco
    10-28
    DOI: https://doi.org/10.22409/abriluff.v3i5.29761

  • Considerations on an inhabited writing: Mário Cláudio and the welcome of arts

    Dalva Calvão
    29-44
    DOI: https://doi.org/10.22409/abriluff.v3i5.29762

  • Compared aesthetics flashes: reading Cape-Verdean images

    Simone Caputo Gomes
    45-64
    DOI: https://doi.org/10.22409/abriluff.v3i5.29763

  • The word in a visual status

    Otavio Henrique Meloni
    65-79
    DOI: https://doi.org/10.22409/abriluff.v3i5.29764

  • “How this body dances in itself” or the work of shape according to Jorge de Sena

    Mônica Genelhu Fagundes
    81-87
    DOI: https://doi.org/10.22409/abriluff.v3i5.29765

  • The third margin of history. Notes on 'The two faces of war' by Diana Andringa and Flora Gomes

    Livia Apa
    89-96
    DOI: https://doi.org/10.22409/abriluff.v3i5.29766

  • Dialogues between literature and journalism in Angola, in the turning of the century XIX to XX

    Sheila Ribeiro Jacob
    97-102
    DOI: https://doi.org/10.22409/abriluff.v3i5.29767

  • Images and “Some burnt wings' music” in Al Berto

    Tatiana Pequeno
    103-119
    DOI: https://doi.org/10.22409/abriluff.v3i5.29768

  • Ethics of existence in “Art of Music”, by Jorge de Sena

    Sebastião Edson Macedo
    121-138
    DOI: https://doi.org/10.22409/abriluff.v3i5.29769

  • Sopranos and barytones or how Eça de Queirós revisits the XIX century opera

    Jorge Valentim
    139-148
    DOI: https://doi.org/10.22409/abriluff.v3i5.29770

  • Among embroideries, jewels and jasmin perfume: fashion according to Eça de Queirós

    Monica Figueiredo
    149-171
    DOI: https://doi.org/10.22409/abriluff.v3i5.29771

Reviews

  • How to kill God: “Caim”, by José Saramago

    Vanessa Cardozo Brandão
    173-175
    DOI: https://doi.org/10.22409/abriluff.v3i5.29772

  • Ones and others, memories of guerilleros at fight

    Marcelo Brandão Mattos
    177-184
    DOI: https://doi.org/10.22409/abriluff.v3i5.29773

  • The allegorical “Mother, maternal sea” and the importance of Boaventura Cardoso's work in the writing of Angolan history

    Rafael Cesar
    185-189
    DOI: https://doi.org/10.22409/abriluff.v3i5.29774

  • Affections and colours' explosion in “Granma nineteen and the soviet's secret”, by Ondjaki

    Roberta Guimarães Franco
    191-195
    DOI: https://doi.org/10.22409/abriluff.v3i5.29775

  • On affections and time in “Boa noite, Senhor Soares”

    Viviane Vasconcelos
    197-199
    DOI: https://doi.org/10.22409/abriluff.v3i5.29776

Interviews

  • "The filmic angel enters inside of me and shoot me through the heart"

    Laura Cavalcante Padilha
    201-203
    DOI: https://doi.org/10.22409/abriluff.v3i5.29777

Other contribution

  • Poems

    José Luís Mendonça
    204-206
    DOI: https://doi.org/10.22409/abriluff.v3i5.29778

  • About this issue

    1-4
    DOI: https://doi.org/10.22409/abriluff.v3i5.29779