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Vol. 3 No. 5 (2010): INTERSEMIOTIC DIALOGUES
Vol. 3 No. 5 (2010): INTERSEMIOTIC DIALOGUES
2nd. sem.: Jul.-Dec. 2010.
Issue date: Nov. 30, 2010.
DOI:
https://doi.org/10.22409/abriluff.v3i5
Published:
2010-11-30
Introduction
Introduction
Laura Cavalcante Padilha, Iris Maria da Costa Amâncio
7
PDF (Português (Brasil))
Articles
Costa Andrade and the memory stone lapidation: bonds between poetry and painting
Carmen Lúcia Tindó Secco
10-28
PDF (Português (Brasil))
Considerations on an inhabited writing: Mário Cláudio and the welcome of arts
Dalva Calvão
29-44
PDF (Português (Brasil))
Compared aesthetics flashes: reading Cape-Verdean images
Simone Caputo Gomes
45-64
PDF (Português (Brasil))
The word in a visual status
Otavio Henrique Meloni
65-79
PDF (Português (Brasil))
“How this body dances in itself” or the work of shape according to Jorge de Sena
Mônica Genelhu Fagundes
81-87
PDF (Português (Brasil))
The third margin of history. Notes on 'The two faces of war' by Diana Andringa and Flora Gomes
Livia Apa
89-96
PDF (Português (Brasil))
Dialogues between literature and journalism in Angola, in the turning of the century XIX to XX
Sheila Ribeiro Jacob
97-102
PDF (Português (Brasil))
Images and “Some burnt wings' music” in Al Berto
Tatiana Pequeno
103-119
PDF (Português (Brasil))
Ethics of existence in “Art of Music”, by Jorge de Sena
Sebastião Edson Macedo
121-138
PDF (Português (Brasil))
Sopranos and barytones or how Eça de Queirós revisits the XIX century opera
Jorge Valentim
139-148
PDF (Português (Brasil))
Among embroideries, jewels and jasmin perfume: fashion according to Eça de Queirós
Monica Figueiredo
149-171
PDF (Português (Brasil))
Reviews
How to kill God: “Caim”, by José Saramago
Vanessa Cardozo Brandão
173-175
PDF (Português (Brasil))
Ones and others, memories of guerilleros at fight
Marcelo Brandão Mattos
177-184
PDF (Português (Brasil))
The allegorical “Mother, maternal sea” and the importance of Boaventura Cardoso's work in the writing of Angolan history
Rafael Cesar
185-189
PDF (Português (Brasil))
Affections and colours' explosion in “Granma nineteen and the soviet's secret”, by Ondjaki
Roberta Guimarães Franco
191-195
PDF (Português (Brasil))
On affections and time in “Boa noite, Senhor Soares”
Viviane Vasconcelos
197-199
PDF (Português (Brasil))
Interviews
"The filmic angel enters inside of me and shoot me through the heart"
Laura Cavalcante Padilha
201-203
PDF (Português (Brasil))
Other contribution
Poems
José Luís Mendonça
204-206
PDF (Português (Brasil))
Expediente
About this issue
Editor Editor
1-4
PDF (Português (Brasil))
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