COVERINGS AND IDENTITIES: A SEMIOTIC REFLECTION ON ENSOR’S MASKS
DOI:
https://doi.org/10.22409/cadletrasuff.2015n50a48Keywords:
mask, semiotics, identityAbstract
This paper discusses the role of the mask in Ensor’s paintings, attending to how identity – as an element which is concealed and (re)construed by this figure – integrates the discourse structure where it is presented. The discussion is situated within the semiotics of A. J. Greimas and applies a semiotic model of identity (LANDOWSKI, 2002) to the analysis of the painting The Intrigue.
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