APPROPRIATION AND INDETERMINATION IN RUI PIRES CABRAL’S POETRY: FROM PERSONAL MEMORY TO THE “MOST MATERIAL’ INSPIRATION POSSIBLE
DOI:
https://doi.org/10.22409/cadletrasuff.2015n50a50Keywords:
Contemporary poetry, appropriation, collageAbstract
This article intends to think about the techniques of appropriation that are used in the work of the contemporary Portuguese poet Rui Pires Cabral. The author inserts, since his first books, excerpts of music or literature in his poems, creating a dialog with other arts through writing. This dialog becomes even clearer with the recent use of collage by the poet, which is the “most material’ inspiration possible.
Downloads
Downloads
Published
How to Cite
Issue
Section
License
Copyright (c) 2024 Caderno de Letras da UFF
This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.
I authorize Cadernos de Letras da UFF to publish the paper of my authorship/responsibility that I now submit, in case it is accepted for online publication.
Moreover, I declare that this contribution is original, that it was not submitted to any other editor for publication, and I sign the present declaration attesting the truth of all its contents.
The copyright of the works published at the virtual space of the Cadernos de Letras da UFF are automatically entitled to Cadernos de Letras da UFF. Their total or partial reproduction is conditioned to the authors' citations and publication data.
Cadernos de Letras da UFF is licensed under a Creative Commons - Attribution-NonCommercial 4.0 International (CC BY-NC 4.0).
