APPROPRIATION AND INDETERMINATION IN RUI PIRES CABRAL’S POETRY: FROM PERSONAL MEMORY TO THE “MOST MATERIAL’ INSPIRATION POSSIBLE

Authors

  • Tamy de Macedo Pimenta SEEDUC

DOI:

https://doi.org/10.22409/cadletrasuff.2015n50a50

Keywords:

Contemporary poetry, appropriation, collage

Abstract

This article intends to think about the techniques of appropriation that are used in the work of the contemporary Portuguese poet Rui Pires Cabral. The author inserts, since his first books, excerpts of music or literature in his poems, creating a dialog with other arts through writing. This dialog becomes even clearer with the recent use of collage by the poet, which is the “most material’ inspiration possible.

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Author Biography

Tamy de Macedo Pimenta, SEEDUC

Mestranda em Estudos Literários na Universidade Federal Fluminense na subárea de Literaturas Portuguesa e Africanas de Língua Portuguesa. Pesquisa, desde a iniciação científica, a poesia de Rui Pires Cabral. Licenciou-se em Letras Português/Inglês pela Universidade Federal Fluminense em 2013. É professora de língua inglesa pela SEEDUC e em On You Cursos desde 2013.

Published

2015-08-09

How to Cite

PIMENTA, T. DE M. APPROPRIATION AND INDETERMINATION IN RUI PIRES CABRAL’S POETRY: FROM PERSONAL MEMORY TO THE “MOST MATERIAL’ INSPIRATION POSSIBLE. Caderno de Letras da UFF, v. 25, n. 50, 9 Aug. 2015.