The violence of time: a game between memories in Endgame
DOI:
https://doi.org/10.22409/cadletrasuff.2020n60a761Keywords:
literatura, estudos de literaturaAbstract
In his play Endgame, Samuel Beckett explores individuals divided between the simplicity and the complexity of mind and body. Therefore, based on Ricoeur’s concepts of memory and body (1968; 2007), this article aims to analyze the knowledge from the self and the other in the play, and how dependent they are on each other and their memories.Downloads
References
BECKETT, Samuel. Endgame. London: Faber and Faber, 1958.
BERRETTINI, Célia. A linguagem de Beckett. São Paulo: Perspectiva, 1977.
BONA, Aldo Nelson. História, verdade e ética: Paul Ricoeur e a epistemologia da história. Guarapuava: Unicentro, 2012.
RICOEUR, Paul. História e Verdade. Tradução F.A. Ribeiro. Rio de Janeiro: Companhia Editora Forense, 1968.
______. A memória, a história, o esquecimento. Tradução Alain François [et al.]. Campinas, SP: Editora da Unicamp, 2007.
WORTON, Michael. Waiting for Godot and Endgame: Theatre as text. In: PILLING, John. (ed). The Cambridge Companion to Beckett. Cambridge: Cambridge University Press, 1994.
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