Contributions to the reading of the ‘Égloga piscatoria en la muerte del Duque de Medina Sidonia”
DOI:
https://doi.org/10.22409/cadletrasuff.2017n54a347Keywords:
Gongora, Garcia Lorca, concept of 'obscuritas'.Abstract
This paper seeks to contribute to our reading of the unfinished poem ‘ Égloga Piscatoria en la muerte del duque de Medina Sidonia”, by Luis de Gongora. It reconsiders the piece using patronage culture, the framework Federico Garcia Lorca’s establishes in ‘La imagen poética de don Luis de Góngora”, and contemporary debates around the concept of obscuritas in writing for an audience made up exclusively of poets.
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References
GARCÍA Lorca, Federico. ‘La imagen poética de don Luis de Góngora”. In: Obras 6, v. 2. Madrid: AKAL, 1994, p. 236-259.
GUTIÉRREZ, C.M. ‘Las Soledades y el Polifemo de Góngora: distinción, capitalización simbólica y tomas de posición en el campo literario español de la primera mitad del siglo XVII”. In: Romance Languages Annual 10 (1999): 621-25.
McELDUFF, S. Roman Theories of Translation: Surpassing the Source. NY: Routledge, 2013.
RICO G., J.M. e RUIZ P., P., eds. El duque de Medina Sidonia. Mecenazgo y renovación estética. Universidad de Huelva, 2015.
RIOSECO, M. Jáuregui y la censura a la poesía nueva. In: Revista Espéculo: año XII, no. 34 (noviembre 2006-febrero 2007). Madrid: Facultad de Ciencias de la Información de la Universidad Complutense de Madrid. Artículo disponible en la dirección: http://www.ucm.es/info/especulo/numero34/jauregui.html
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