FILOSOFIA, CINEMA E HOMOSSEXUALIDADE: INTERPELAÇÕES DO FILME UM ESTRANHO NO LAGO

Authors

  • Marcelo Santana Ferreira

DOI:

https://doi.org/10.1234/enfil.vi3.47245

Abstract

Abstract

This article intends to analyze the film A stranger in the lake, by the Frenchman Alain Guiraudie, looking for elements, based on the works of Focalt, to understand the aesthetics, which for the time it was released, was taboo. The film, erotically, utopias formulated by Michel Foucault at different moments in his work, without succumbing to false talk. The image is the protagonist of the narrative, it is the lake that absorbs it, it is its freshness that invites you to dive, it is its color that reminds you of the best beaches in Europe, it is the warmth you feel on its shore that evokes a summer full of dangers.

Keywords: Philosophy, Cinema, Homosexuality.

 

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Published

2020-11-22

Issue

Vol. 2 No. 3 (2014): ENCONTROS COM A FILOSOFIA

Section

NÚMERO TEMÁTICO

License

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