FILOSOFIA, CINEMA E HOMOSSEXUALIDADE: INTERPELAÇÕES DO FILME UM ESTRANHO NO LAGO
DOI:
https://doi.org/10.22409/enfil.v2i3.47245Abstract
Abstract
This article intends to analyze the film A stranger in the lake, by the Frenchman Alain Guiraudie, looking for elements, based on the works of Focalt, to understand the aesthetics, which for the time it was released, was taboo. The film, erotically, utopias formulated by Michel Foucault at different moments in his work, without succumbing to false talk. The image is the protagonist of the narrative, it is the lake that absorbs it, it is its freshness that invites you to dive, it is its color that reminds you of the best beaches in Europe, it is the warmth you feel on its shore that evokes a summer full of dangers.
Keywords: Philosophy, Cinema, Homosexuality.
Downloads
Downloads
Published
Issue
Section
License
A Revista En_fil aceita manuscritos originais em português, italiano, espanhol e inglês. Se o manuscrito original for redigido em língua estrangeira, ele deve ser acompanhado da versão em português.
A Revista En_fil não cobra taxas referentes à submissão, à avaliação ou à publicação de artigos. Oferece acesso livre, gratuito e imediato a todos os leitores, independentemente de cadastramento no site.
