IMAGENS PAGÃS DE DELEUZE A FAROCKI
DOI:
https://doi.org/10.22409/enfil.v2i3.47246Abstract
Abstract
This article aims to analyze the cinema paradigm as a visual code to see and interpret images, it seems to have become obsolete. From the analysis of Benjamin and Farocki, we seek, based on historical dialectical materialism, to think about images without subordinating them to either the criteria of taste or the criteria of art. It is the same thing that Deleuze was looking for under the inspiration of Bergson and also of Peirce, although - it is necessary to point out - these thinkers had kept cinema at a distance from their respective works.
Keywords: Cinema; Post-cinema; Benjamin.
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