Max Martins: word, image and thought
DOI:
https://doi.org/10.22409/gragoata.v17i33.33022Keywords:
Max Martins, word, image, thoughtAbstract
That article examines the visual poem “Man & Woman,” by Max Martin, on theoretical perspective linked to the calligraphy and the study of the form (Gestalt) that was studied by Haroldo de Campos, Julio Plaza and Décio Pignatari, authors that postulate that the dialogs between poetry and visual. “Man & Woman” put the questions about the limits of the word (verb) and the “extension” of the graphic space of the poem through metalanguage. On second part, it has an essay reading of poems by Max Martins with the aim of establishing the relationship between word, image and thought.
Downloads
Downloads
Published
How to Cite
Issue
Section
License
Authors who publish in Gragoatá agree to the following terms:
The authors retain the rights and give the journal the right to the first publication, simultaneously subject to a Creative Commons license CC-BY-NC 4.0, which allows sharing by third parties with due mention to the author and the first publication by Gragoatá.
Authors may enter into additional and separate contractual arrangements for the non-exclusive distribution of the published version of the work (for example, posting it in an institutional repository or publishing it in a book), with recognition of its initial publication in Gragoatá.
Gragoatá is licensed under a Creative Commons - Attribution-NonCommercial 4.0 International.