Vol. 19 No. 3 (2025): Comunicação e Memória: perspectivas teóricas e materialidades

View Vol. 19 No. 3 (2025): Comunicação e Memória: perspectivas teóricas e materialidades

September-December 2025 Quarterly Issue of the Journal Mídia e Cotidiano - Communication and Memory: Theoretical Perspectives and Materialities - Part 1

Cover photo: Print of the video “Rio de Janeiro nas Ruas”, from September 21, 2025, Mídia Ninja Channel – YouTube. (Available at https://www.youtube.com/live/LUazODn1eaA?si=4_csNEe0uTEv7pcc – Accessed on September 21, 2025).

DOI: https://doi.org/10.22409/0ca5j503
Published: 2025-10-07

  • Expediente

    i-iv
    DOI: https://doi.org/10.22409/5vc0e207

Editorial

  • Mídia e História: o SUPREMO poder da DEMOCRACIA

    Denise Tavares, Larissa Morais, Pedro Henrique Conceição dos` Santos, Ana Paula Goulart de Andrade, Adriana Barsotti
    v-ix
    DOI: https://doi.org/10.22409/hr0jj362

Presentation of the dossier

  • The role of the media in the construction of an ethical memory

    Ana Paula Goulart Ribeiro, Izamara Bastos Machado, Rachel Bertol
    1-13
    DOI: https://doi.org/10.22409/hw20ps42

Artigos Seção Temática

  • Communication, History and Memory: the “uncontrolled” voices of the past

    Marialva Barbosa
    14-27
    DOI: https://doi.org/10.22409/ev9yzz13

  • Don't look for me in the past, I'm not there anymore: narratives and memories of young media investors

    Marcelo dos Santos Marcelino, Igor Sacramento
    28-53
    DOI: https://doi.org/10.22409/n8jc5y90

  • The exhibition “Diários da Pandemia at Museu da Pessoa: memory, self digital writings and emotions

    Jacqueline Lima , Daniele Ribeiro Fortuna
    54-75
    DOI: https://doi.org/10.22409/8p7m0865

  • Ruins of suburban cinemas: hauntological aspects between destitution, technostalgia and cinematographic thresholds

    Talitha Ferraz
    76-106
    DOI: https://doi.org/10.22409/181ysc90

  • “Everyone has the right to their own portraits”: Salvador’s carnival between Lindemann’s studios and the pages of Renascença

    Henrique Santos
    107-132
    DOI: https://doi.org/10.22409/27etd033

  • Cordel poetry in public markets: Memory in São Cristóvão and the Central Fair

    Maria Gislene Carvalho Fonseca, Carlos Aberto Carvalho
    133-151
    DOI: https://doi.org/10.22409/rgdajv40

  • Editors and journalists: the production of the ‘taskbook’ in the campaign for the return of exiles to Brazil

    Márcio Castilho
    152-168
    DOI: https://doi.org/10.22409/jdrtjj27

  • March 31st between suits and uniforms: the anniversary of the coup by the lens of Estadão

    Ana Carolina Lima Santos, Paulo Bernardo Ferreira Vaz
    169-197
    DOI: https://doi.org/10.22409/z3w9m789

Artigos Seção Livre

  • Montage, anachronism and communication: methodological notes from Aby Warburg and Didi-Huberman

    Rodrigo Portari
    198-224
    DOI: https://doi.org/10.22409/grbe1417

  • Showcase and territory: study of a dermocosmetic display case in Espírito Santo

    Melissa Peixoto, Flávia Mayer dos Santos Souza
    225-250
    DOI: https://doi.org/10.22409/k4cjyq64

  • Self-communication and podcast: on the path of counterpower

    Andréa Pereira dos Santos, Rose Mendes da Silva
    251-268
    DOI: https://doi.org/10.22409/t6rspw46

Entrevistas

  • Between Nostalgia and Solastalgia: Reflections with Katharina Niemeyer

    Luciana Amormino, Anna Cavalcanti
    269-278
    DOI: https://doi.org/10.22409/x6ctwk63

Resenhas

  • The study of letters and editorial connections

    Felipe Quintino
    279-284
    DOI: https://doi.org/10.22409/zrxtg520