<em>Vigo, Vulgo Almereyda</em> by Paulo Emílio Salles Gomes: Subjectivity in the history of cinema

Authors

DOI:

https://doi.org/10.15175/1984-2503-201911107

Keywords:

Paulo Emílio Salles Gomes, history of cinema, intellectual history, subjectivity

Abstract

Paulo Emílio Salles Gomes (1916-1977) was a multifaceted character: a militant, critic, researcher, professor of cinema, and writer, also founding the Cinemateca Brasileira. In spite of his multiple connections to landmark institutions in the history of cinema, such as the Cinémathèque Française and the International Federation of Film Archives (FIAF), he has been relatively neglected by academics in the field of intellectual history. The following work aims to serve as a research guide to Salles Gomes as an intellectual based on an analysis of his posthumous work ‘Vigo, Vulgo Almereyda” on anarchist militant Miguel Almereyda, father of French filmmaker Jean Vigo. Subjectivity, politics and religiosity are therefore revealed to play significant roles in the history of cinema.

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Author Biography

Ricardo Gaulia Borrmann, Universidade de Bremen, Bremen

Doutor em História Cultural pela Ludwig-Maximilians-Universität (Munique/Alemanha) e docente-pesquisador Pós-Doc da Universidade de Bremen, na Alemanha. Mestre em ciência política pela Universidade Federal Fluminense. Pesquisador associado do Laboratório Cidade e Poder (História/UFF)

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Published

2019-02-03

How to Cite

Borrmann, R. G. (2019). <em>Vigo, Vulgo Almereyda</em> by Paulo Emílio Salles Gomes: Subjectivity in the history of cinema. Passages: International Review of Political History and Legal Culture, 11(1), 111-126. https://doi.org/10.15175/1984-2503-201911107

Issue

Vol. 11 - No. 1 - Janeiro a Abril (2019)

Section

Articles

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