Subjectivity and samba: in the circle with Paulinho da Viola

Authors

  • Tânia Barcelos

Keywords:

subjectivity, time, samba, contemporaneity

Abstract

From the documentary Paulinho da Viola: meu tempo é hoje (Paulinho da Viola: my time is today), I aim at problematizing the hegemonic politics at the present time which has oriented the subjectivity in the cultural capitalism context. In the documentary, what draws my attention is the way the composer treats time and puts in jeopardy the predominant forms of experimenting it - captured in a longing past and badly lived or in a cynical present, frozen and indifferent to the body's restlessness. The movie leads me to glimpse the resistance lines and the subjectivity invention; resistance to the hegemonic politics of the present time and invention of new temporalities, vital potencies in extreme acceleration contexts and subtle life controls.

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Author Biography

Tânia Barcelos

Possui graduação em Psicologia pela Universidade Federal de Uberlândia (1988), mestrado (1999) e doutorado (2006) em Psicologia Clínica pela Pontifícia Universidade Católica de São Paulo. Atualmente é professora adjunta do Curso de Psicologia da Universidade Federal de Goiás/Campus Catalão. Tem experiência no ensino de Psicologia, atuando, principalmente, nos seguintes temas: Produção de subjetividade, Educação, Cultura e Contemporaneidade.

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Published

2009-06-22

How to Cite

BARCELOS, T. Subjectivity and samba: in the circle with Paulinho da Viola. Fractal: Journal of Psychology, v. 21, n. 1, p. 57-68, 22 Jun. 2009.

Issue

Vol. 21 No. 1 (2009)

Section

Articles

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To the extent possible under the law, Fractal: Journal of Psychology has waived all copyright and related rights to the Reference Lists in research articles. This work is published in: Brazil.

To the extent possible under law,Fractal: Journal of Psychology has waived all copyright and related or neighboring rights to Reference lists in research articles. This work is published from: Brazil.