Simple things
Keywords:
Paul Cézanne, contagion, art, paintingAbstract
The essay presents some impressions produced by a Paul Cézanne’s picture. Authentic connections are contagious; they do not work through erudition. When by the end to the Nineteenth Century Cézanne’s works start to emerge, nobody, not even himself, knew what it was all about. The first ones to have a glimpse of a mutation were some artists, painters, poets, writers, then slowly some critics joined them, and at last a few philosophers.Downloads
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CÉZANNE, P. Nature morte. óleo sobre lienzo, 1890-1894, 65.4 x 81.6. The J. Paul Getty Museum. Los Angeles Photo © The Paul Getty Museum. Disponible en: <http://www.getty.edu/art/gettyguide/artObjectDetails?artobj=109325>. Digital image courtesy of the Getty’s Open Content Program.
DELEUZE, G. Analogie (1981). En: Francis Bacon: logique de la sensation. Paris: Seuil, 2002.
DENIS, M. Cézanne. En Théories, 1890-1910; du symbolisme et de Gauguin vers un nouvel ordre classique. Paris: L. Rouart & J. Watelin, 1920.
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MERLEAU-PONTY, M. Le doute de Cézanne (1945). En: Sens et Non-Sens Paris: Nagel, 1966.
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To the extent possible under law,Fractal: Journal of Psychology has waived all copyright and related or neighboring rights to Reference lists in research articles. This work is published from: Brazil.