Simple things

Authors

  • Juan Carlos Gorlier Universidad Nacional de Buenos Aires, Buenos Aires, Argentina Universidad Nacional de Mar del Plata, Mar del Plata , Buenos Aires, Argentina Universidad Nacional de Quilmes, Bernal, Buenos Aires, Argentina Fundación Centro Psicoanalítico Argentino, Buenos Aires, Argentina.

Keywords:

Paul Cézanne, contagion, art, painting

Abstract

The essay presents some impressions produced by a Paul Cézanne’s picture.  Authentic connections are contagious; they do not work through erudition.  When by the end to the Nineteenth Century Cézanne’s works start to emerge, nobody, not even himself, knew what it was all about.  The first ones to have a glimpse of a mutation were some artists, painters, poets, writers, then slowly some critics joined them, and at last a few philosophers.

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References

CÉZANNE, P. Nature morte. óleo sobre lienzo, 1890-1894, 65.4 x 81.6. The J. Paul Getty Museum. Los Angeles Photo © The Paul Getty Museum. Disponible en: <http://www.getty.edu/art/gettyguide/artObjectDetails?artobj=109325>. Digital image courtesy of the Getty’s Open Content Program.

DELEUZE, G. Analogie (1981). En: Francis Bacon: logique de la sensation. Paris: Seuil, 2002.

DENIS, M. Cézanne. En Théories, 1890-1910; du symbolisme et de Gauguin vers un nouvel ordre classique. Paris: L. Rouart & J. Watelin, 1920.

FRY, R. Cézanne: a study of his development (1927). New York: Kessinger, 2004.

GASQUET, J. Cézanne (1921). Paris: Ancre Marine, 2003.

LAWRENCE, D. H. Introduction to these paintings (1929). En: Phoenix: the posthumous papers, 1936. London: Penguin, 1978.

MERLEAU-PONTY, M. Le doute de Cézanne (1945). En: Sens et Non-Sens Paris: Nagel, 1966.

Published

2014-10-10

How to Cite

GORLIER, J. C. Simple things. Fractal: Journal of Psychology, v. 26, n. 4, p. 749-754, 10 Oct. 2014.

Issue

Section

Dossiê Arte, Narrativas e Subjetividade - ensaio