The body-cultivation of the art
DOI:
https://doi.org/10.22409/1984-0292/v29i2/2204Keywords:
affections, art, body, experience, resistance.Abstract
The current urban media capitalism pervade the subjectivities, extracting their vital affections, vectors of creation, through semiotics machines wich catch the experience of cooperation to inoculate in the lives the self demand, self sufficiency, self imagination, in a ploy of the most individualistic world that ever existed: the world without self. Such way of life form becomes incubator of many pathologies of the vitality, with the experience of inadequacy, while we testified the incessant expansion of the nets of announccing solitude. In this constant demand to the dispersion owing to the excess of the offer and wish of acceleration, the constitution of experience is more and more precarious and the same abundance that now it incites to the demand, it can also astonish with the boredom. Our research The body without alibi, wich is open to the academic conviviality of the Federal Fluminense University in Campos of Goytacazes, consists of sharing our bodies, their power to affect and to make memory, betting in the body-cultivation of the art as micropolitic resistance.
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