Vol. 9 No. 18 (2017): The body: versions and subversions in many writings

View Vol. 9 No. 18 (2017): The body: versions and subversions in many writings
1st sem.: Jan.-Jun. 2017.
Issue date: Jun. 30th, 2017.
DOI: https://doi.org/10.22409/abriluff.v9i18
Published: 2017-06-30

Introduction

  • Introduction

    Tatiana Pequeno, Mark Sabine
    9-10
    DOI: https://doi.org/10.22409/abriluff.v9i18.29917

Articles

  • Adília Lopes and Sylvia Plath: a body in difference

    Ana Beatriz Affonso Penna
    13-27
    DOI: https://doi.org/10.22409/abriluff.v9i18.29918

  • The loving body in O livro da paz da mulher angolana, as heroínas sem nome: a support for reading

    Maria Salete Daros de Souza
    29-44
    DOI: https://doi.org/10.22409/abriluff.v9i18.29919

  • The interrupted speech and the pervert destruction of the bodies: a brief analysis of two short stories of Lídia Jorge

    Viviane Vasconcelos
    45-55
    DOI: https://doi.org/10.22409/abriluff.v9i18.29920

  • The discovery of a post-colonial identity in Djaimilia Pereira de Almeida’s Esse cabelo

    Sandra Sousa
    57-68
    DOI: https://doi.org/10.22409/abriluff.v9i18.29921

  • Al Berto’s performative writing: À procura do vento num jardim d’agosto (1977)

    Gustavo Cerqueira Guimarães
    69-82
    DOI: https://doi.org/10.22409/abriluff.v9i18.29922

  • The illusion of gender in “O Travesti”, by Cape Verdean writer Fernando Monteiro

    Luciana Miranda Marchini
    83-99
    DOI: https://doi.org/10.22409/abriluff.v9i18.29923

  • The body of God in critical state: a reading of Christianity in Camões’s lyric and Ruy Belo’s poems

    Kigenes Simas Ramos
    101-113
    DOI: https://doi.org/10.22409/abriluff.v9i18.29924

  • Ruy Belo: body of self, body of others

    Aline Duque Erthal
    115-125
    DOI: https://doi.org/10.22409/abriluff.v9i18.29925

  • Ursamaior, by Mario Claudio: seven stars, a falling body

    Mariana Caser da Costa
    127-138
    DOI: https://doi.org/10.22409/abriluff.v9i18.29926

  • Deafness memories in Antonio Lobo Antunes’ chronicles “O surdo” (1998) and “Não foi com certeza assim mas faz de conta” (2002)

    Alessandra Gomes Silva
    139-150
    DOI: https://doi.org/10.22409/abriluff.v9i18.29927

  • “The imaginative means that nature has to extract one’s life” – representation of the aged body in A máquina de fazer espanhóis

    Marcelo Franz
    141-164
    DOI: https://doi.org/10.22409/abriluff.v9i18.29928

Interviews

  • “Portugal is there”: interview with Dulce Maria Cardoso

    Bruno Mazolini de Barros
    167-173
    DOI: https://doi.org/10.22409/abriluff.v9i18.29929

Reviews

  • Almada Os painéis A geometria e Tudo, by António Valdemar

    Elizabeth Dias Martins
    175-178
    DOI: https://doi.org/10.22409/abriluff.v9i18.29930

  • About this issue

    1-4
    DOI: https://doi.org/10.22409/abriluff.v9i18.29931