Sergei Eisenstein and Que Viva Mexico! Arborescent Thinking
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Abstract
In 1930, after breaking his contract with Paramount Pictures, Sergei Eisenstein decided to improvise: he signed a contract with writer Upton Sinclair to make an independent film in Mexico. The film was supposed to be titled Que Viva Mexico!, but the filmmaker would never complete it: the shooting dragged on, the budget spiraled out of control, and Eisenstein ended up in conflict with the improvised producer, who kept all the footage. Nevertheless, Latin America left its mark on the filmmaker: an associative mode of thinking that does not operate through replacement and substitution, but through cycles that shift in ever-changing ways. This essay analyzes the influence of the Mexican experience on Eisenstein’s audiovisual poetics.
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