Vol. 11 No. 23 (2019): Camoens, always contemporary

View Vol. 11 No. 23 (2019): Camoens, always contemporary
2nd sem.: Jul.-Dec. 2019.
Issue date: Nov 20, 2019.
DOI: https://doi.org/10.22409/abriluff.v11i23
Published: 2019-11-20

Introduction

  • Introduction

    Luis Maffei, Isabel Almeida
    9-10
    DOI: https://doi.org/10.22409/abriluff.v11i23.38369

Articles

  • The bestiary of Camões

    Paulo Braz
    13-27
    DOI: https://doi.org/10.22409/abriluff.v11i23.30273

  • About the metamorphosis of love in The Lusiads: armour-amour

    Mariana Caser da Costa
    29-41
    DOI: https://doi.org/10.22409/abriluff.v11i23.30272

  • The fifth prose letter by Camões: “For talking wisely is not all that matters”

    Marcia Arruda Franco
    43-56
    DOI: https://doi.org/10.22409/abriluff.v11i23.30282

  • The double face of Love in Camões

    Raul de Carvalho Rocha
    57-70
    DOI: https://doi.org/10.22409/abriluff.v11i23.30279

  • Camoens’ pharmacy

    Rafael Santana
    71-82
    DOI: https://doi.org/10.22409/abriluff.v11i23.30274

  • Camões, the poet of the overseas imaginary

    Daniel Vecchio Alves
    83-94
    DOI: https://doi.org/10.22409/abriluff.v11i23.30287

  • Sonnet and music: Luís Milán, Jorge de Montemayor and Luís de Camões

    Sheila Hue
    95-113
    DOI: https://doi.org/10.22409/abriluff.v11i23.30290

  • The Camonian appropriation in the 21st century: Gonçalo M. Tavares and India

    Evelyn Blaut Fernandes
    115-125
    DOI: https://doi.org/10.22409/abriluff.v11i23.30285

  • The Camonian sonnet whithin the body of Brazilian contemporary poetry: Glauco Mattoso, author-reader of an unfinished tradition

    Ana Clara Magalhães de Medeiros, Susana Souto Silva
    127-138
    DOI: https://doi.org/10.22409/abriluff.v11i23.30278

  • The four paratexts “without qualities” and the anthological relationship with the legacies of Luís de Camões, Herberto Helder and Robert Musil

    Julia Telésforo Osório
    139-151
    DOI: https://doi.org/10.22409/abriluff.v11i23.30280

  • From sacred to profane: Luís de Camões as a character in Lobo Antunes’ and Mário Cláudio’s works

    Tamy de Macedo Pimenta
    153-166
    DOI: https://doi.org/10.22409/abriluff.v11i23.30271

  • It can such a literature?

    José Luiz Foureaux de Souza Júnior
    167-179
    DOI: https://doi.org/10.22409/abriluff.v11i23.30270

  • Camões and the realms of stupidity: from Francisco de Melo Franco to Francisco Manoel de Mello Branco

    Gil Clemente Teixeira
    181-195
    DOI: https://doi.org/10.22409/abriluff.v11i23.30275

  • Genological masks: Camões, character of Natalia Correia (a reading of ‘erros meus, má fortuna, amor ardente’)

    Jorge Vicente Valentim
    197-206
    DOI: https://doi.org/10.22409/abriluff.v11i23.30268

  • Sobre esta edição

    1-6
    DOI: https://doi.org/10.22409/abriluff.v11i23.38760