Vol. 13 No. 27 (2021): Decolonizations: Residual Memories

Introduction

• Introduction

  Silvio Renato Jorge, Margarida Calafate Ribeiro

  9-13

  • PDF (Portuguese)

  DOI: https://doi.org/10.22409/abriluff.v13i27.51873

Articles

• Artistic gestures and postmemorial narratives: post-colonial interrogations in Portuguese

  Margarida Calafate Ribeiro, Fátima da Cruz Rodrigues

  17-43

  • PDF (Portuguese)

  DOI: https://doi.org/10.22409/abriluff.v13i27.50699

• Memory’s ransom: silences, postmemory, cinema

  Paulo de Medeiros

  45-60

  • PDF

  DOI: https://doi.org/10.22409/abriluff.v13i27.51241

• Housing in Mozambique – plurality in mozambican cinema

  Kathrin Sartingen, Sophie Baltas

  61-78

  • PDF (Deutsch) (Portuguese)

  DOI: https://doi.org/10.22409/abriluff.v13i27.50265

• Crystallizations of alien memories: the colonial war in Paulo Faria’s postmemory writing

  Felipe Cammaert

  79-94

  • PDF (Portuguese)

  DOI: https://doi.org/10.22409/abriluff.v13i27.50684

• “These lies, dear doctor, will become indisputable truths”: underground memories, violence and legitimacy in O anjo branco, by José Rodrigues dos Santos

  Daniel Laks

  95-108

  • PDF (Portuguese)

  DOI: https://doi.org/10.22409/abriluff.v13i27.50213

• The “inseparabilidade” of transits in the works of Djaimilia Pereira de Almeida

  Roberta Guimarães Franco

  109-124

  • PDF (Portuguese)

  DOI: https://doi.org/10.22409/abriluff.v13i27.50258

• Letters, solitude and voice for a post-memory: Maremoto of Djaimilia Pereira de Almeida

  Sheila Khan

  125-135

  • PDF (Portuguese)

  DOI: https://doi.org/10.22409/abriluff.v13i27.50266

• Dialogue between nature and a pirate: ecocriticism for a decolonial perspective in Djaimilia Pereira de Almeida’s A visão das plantas

  Nicola Biasio

  137-149

  • PDF (Portuguese)

  DOI: https://doi.org/10.22409/abriluff.v13i27.50193

• Caderno de memórias coloniais and Luanda, Lisboa, Paraíso: women tell the ruins of the empire

  Rafaella Cristina Alves Teotônio

  151-166

  • PDF (Portuguese)

  DOI: https://doi.org/10.22409/abriluff.v13i27.50202

• The stain as a contrast: Portugal versus its ex-colonies in Africa in the narratives of Isabela Figueiredo and Dulce Maria Cardoso

  Larissa Fonseca e Silva, Eliana da Conceição Tolentino

  167-180

  • PDF (Portuguese)

  DOI: https://doi.org/10.22409/abriluff.v13i27.50295

• The articulation of the past and the ethical key of testimony in “Caderno de memórias coloniais”, by Isabela Figueiredo

  Rodrigo Cavelagna

  181-196

  • PDF (Portuguese)

  DOI: https://doi.org/10.22409/abriluff.v13i27.49411

• Narrativity, memory and decolonization in the novel The return, by Dulce Maria Cardoso

  Cláudia Maria de Souza Amorim, Suzana Costa da Silva

  197-208

  • PDF (Portuguese)

  DOI: https://doi.org/10.22409/abriluff.v13i27.50259

• About this issue

  1-8

  • PDF (Portuguese)